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Timberframe: The Art and Craft of the Post-and-Beam Home
Tedd Benson , and Norm Abram Manufacturer: Taunton ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 1561586080 Release Date: 2002-02-01 |
Amazon.com
Unlike conventional framing, which is destined to be hidden by other building materials, timberframe homes leave massive beams and smaller supports exposed to be seen and admired as a finished and an architectural element. Tedd Benson divides Timberframe: The Art and Craft of the Post-and-Beam Home into four sections--"In the Country," "On the Water," "In the Mountains," and "In Addition"--to reveal how the proud owners of timberframe dwellings strive to make those architectural elements fit their surroundings. This is not a how-to book--though there are plenty of sketches and even a few simplified plans sprinkled among 400 color photos--as much as an effort to foster appreciation and inspiration of this unique home style. With case-by-case overviews of 29 American homes from coast to coast, Benson explores a craftsmanship that was largely replaced by stud framing in the late 1800s with the development of the wire nail, the circular saw mill, and the need to build houses more quickly. But Benson also calls attention to a renewed interest in timberframe dwellings. Norm Abram, of This Old House fame, not only wrote the foreword to this book but also serves as a case study of someone incorporating this old framing technique into his new house. For Abram, the attraction to timberframing is its sense of durability. "I look at its sturdiness and know it will be standing for many decades, maybe a century or two," he writes. Another sign of timberframing's resurgence is seen in the recent selling off of more than 7 million board feet of old-growth timber from the defunct Long-Bell Lumber mill in Longview, Washington. As Benson tells the story, word about the auction spread quickly among a new breed of timberframers who knew that wood of that size and quantity might never be seen again. The bidding quickly rose above the meager means of the average timberframer, and it was later learned that Bill Gates purchased the timbers for his multimillion-dollar home in Seattle. --John RussellCustomer Reviews:
Beams! BEAMS!!.......2000-12-19
I don't know one thing about architecture or homebuilding, but I enjoyed this book for its striking photos of awesome homes.
Beams and More Beams.......2000-06-17
If you prefer a more minimalist approach I'd suggest: "The Timber-Frame Home, Design, Construction, Finishing" by the same author. In that book this author wrote: "...frame design should simplify and reduce whenever possible, The best frames are those with the most economical use of timbers and the least-complicated joinery." I was disappointed that this book ignored that concept.
Most of the houses in this book are above 3500 sq feet with roughly a third at 5000 and up. If you want to see the extremes to which timberframing can be taken, this is the book for you.
Visually powerful architectural & design reference........2000-04-06
Very inspiring book, full of great timberframe examples!.......1999-09-16
Average customer rating:
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Punched Greeting Cards (Greetings Cards series)
Julie Hickey Manufacturer: Search Press ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 1903975751 |
Book Description
Customer Reviews:
Nice Ideas, But..........2005-05-03
Average customer rating: |
MAURICE UTRILLO CROWN ART LIB (Crown Art Library)
Jeanine Warnod Manufacturer: Crown ProductGroup: Book Binding: Hardcover ASIN: 0517538830 Release Date: 1984-09-11 |
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Anime Interviews : The First Five Years of Animerica, Anime & Manga Monthly (1992-97)
Manufacturer: VIZ Media LLC ProductGroup: Book Binding: Paperback Similar Items: ASIN: 1569312206 |
Customer Reviews:
Animerica rocks!.......2000-09-05
Animerica's Best.......2000-07-24
Interesting and unusual..........1999-09-29
It is exactly what it claims to be: a look into the hearts and minds of some manga and anime creators. For those looking for reviews and summaries of their favorite manga and anime series, look elsewhere. The interviews are about the creators, not their characters and storylines.
Unfortunately,
Still, it is enjoyable book.
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Book Description
This unique volume presents the results of a study of 200 German families over a period of 16 years from 1976 to 1992. This study--the findings of which yield a host of new insights into the dynamics of cross-generational personality and family development--is based on an ecopsychological framework comprising four levels of developmental analyses:
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Vandervort describes how relations between black Africans and Europeans were carried on largely at arm's length until the 1850's. He informs us that the interior of Africa was still mainly in the hands of the African peoples, whose hostility, combined with rigors of tropical diseases, kept European penetration to a minimum. He explains that Europeans came to Africa largely for economic reasons, thus, their presence on the continent was limited to a small number of trading enclaves along the west and east African coasts.
According to Vandervort, in 1876 more than 90% of the African continent was ruled by Africans. However, by 1914, all but Liberia and Ethiopia were controlled by European powers. The author explains that the ability of the Europeans to recruit large armies of African troops and the technology advantage that European countries had over African countries were the major reasons for European success in the African colonial wars. The motives for participation in the imperial venture were multiple and complex and they varied considerably among European nations.
Vandervort describes the pre-colonial years of the nineteenth century as a time of movement toward a greater centralization of power. In larger polities such as the Zulu empire in Southern Africa, the jihad states of al-Hajj Umar, Ahmadu Seku and Samori in West Africa, the Mahdist theocratic state in the Sudan, the rejuvenated Solomonic empire of Ethiopia, the Sokoto empire of northern Nigeria, and the Ashanti empire of present-day Ghana, an internally-generated change might have opened up a distinctly African path to modernity. Given the opportunity, African nations might have eventually liberalized their political, legal and fiscal institutions to make room for their more productive classes. These classes could then have commercially collaborated with the European mercantilists. If this had occurred, African nations might have retained their political and economic independence through an open door policy of trading with the world.
This process was brought to a halt as a result of two factors: first, through conquest and subsequent imperial rule, the Europeans were able to impose their own economic and political priorities onto African institutions and society conquest. Secondly, African societies were almost entirely unable to bury long-standing ethnic and political animosities long enough to forge alliances against the Europeans. Vandervort reveals in great detail the African nations' unwillingness to rethink military strategies and tactics that had proven ineffective against European methods of warfare. He shows how their refusal to abandon hierarchical and inequitable social structures inhibited the African peoples from presenting a united front against the European invasion. Europeans were able to turn ethnic groups and religious factions against each other. Ethnic divisions, tribal rivalries, religious differences and conflicts between regions all played into the hands of the Europeans.
In conclusion, the author has written a thorough and well-documented book and is able to discuss both the European and African perspectives without bias. Additionally, the military aspects of the wars are clearly explained. The social, economic and political background is illustrated to provide the reader with a greater understanding of European imperialism in Africa and the effects it still has on the Continent. Therefore, this book is a must for those readers who want to better understand the confluence of factors that led to the success of the European conquest of Africa.
The author clearly stuggles with the sheer grandiose nature of the task. Often glossing over key events and toiling over insignificants. The language of the text is laborious, making the reading all the more dulling.
Despite the seemingly harsh words, I still did read the book from beginning to end, not missing a word. The clever angles the author uses on occasion and the "I'm not sure if I really like this, but it seems interesting", new school of Military History interpretation. A good brick in the wall, but not a cornerstone.
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As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks.
Customer Reviews:
There are a great many paintings by Whisson showcased, and most are quite nice, with a few even breathtaking. Most are done on a very small scale, the 10x12" range.
What few step-by-step demos, or even partial demos, there are are rather pale. Many "compositional plan" examples are merely ghosted-back visuals of the finished painting with a grid superimposed and little explanation as to composition or positioning choices. Most "tonal plans" (value sketches) are just b&w photos (badly screened, imho, so you can't see the patterns well) of the finished painting. Some of the all-the-way demos seem to be done after the fact, as in he started with a finished painting he wanted to demonstrate, and then did another one, this one being photographed as he did it. The results don't match. We are rarely told the why behind choices made.
The use of color is almost ignored entirely.
He does stress sketching, which is great! But if he were to redo this book, I'd advise him to do actual demos, explaining all the way as to his specific reasons for doing everything, and how this demonstrates impressionism. He should go into composition, into value determination, and most especially, into color.
The value of this book is the many Whisson paintings showcased and the inspiration derived from same. For "how to" value, I would recommend trying to find another book.
He emphasizes the importance of good draftsmanship (drawing)
He encourages the reader to practice drawing as much as
I admire Whisson's compositional skills, taste, and artistic
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European Conquest of Africa........2006-05-25
As I already mentioned, this is a scholarly work. However, for those interested in Africa, this is interesting history. One will understand why Africa was colonized by the Europeans. This is an interesting history book.
Colonial Warfare in Africa.......2002-04-06
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it teaches you to paint.......2005-10-19
It shows how you can any photo turn in to masterpiece of your own and not how to make a copy.
Yes, It's not step by step how to book for absolute beginners and those who want an instant results without working on it...like painting by numbers. You have to know your colors and how to hold a brush and what are you doing on the canvas.. There are no miracles, you have to work on your painting to be good and practice a lot. Wihout no masterpice...:-)
I will recomend this book for people who ready to do that..
Not really a "how to" book.......2004-05-04
Sound Advice for Aspiring Painters.......2003-01-13
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integrity.
Wonderful En Plein Air Painting.......2002-08-14
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