The savory wild mushroom,: A Pacific Northwest guide

Average customer rating:
The savory wild mushroom,: A Pacific Northwest guide
Margaret McKenny
Manufacturer: University of Washington Press
ProductGroup: Book
Binding: Unknown Binding

General | Plants | Biological Sciences | Science | Subjects | Books
ASIN: B0007DUCAI

Average customer rating:
The Savory Wild Mushroom A Pacific Northwest Guide
Margaret McKenny
Manufacturer: University of Washington Press
ProductGroup: Book
Binding: Hardcover
ASIN: B000O05BJ6

Book Description

Explore Spain's rich literary landscape with some of the country's best contemporary writers. Arranged geographically, these thirty stories — many of which appear in English for the first time — transport the reader through Spain's many enchanting regions: experience a bull-run with Juan Goytisolo in Albacete, join Bernardo Atxaga in a Basque village, travel to the misty woods of Galicia with Manuel Rivas, and reminisce nostalgically with Julio Llamazares over black-and-white photos of his childhood Spain. Contributors include Nuria Amat, Bernardo Atxaga, Julián Ayesta, Carlos Blanco, Antón Castro, Agustín Cerezales, Rosa Chacel, Dulce Chacón, Rafael Chirbes, Miguel Delibes, Lucía Etxebarria, José Ferrer Bermejo, Laura Freixas, Amaia Gabantxo, Federico García Lorca, Juan Goytisolo, Julio Llamazares, José Jiménez Lozano, Javier Marías, Juan Marsé, Quim Monzó, Javier Puebla, Fernando Quiñones, Carme Riera, Manuel Rivas, Germán Sierra, Nivaria Tejera, and Angela Vallvey.

Customer Reviews:

This book made our trip to Spain a hundred times better.......2003-05-18

We got this as a gift the night before we left for Spain and it made the whole trip better. My wife read most of the stories on the plane on the way over and then I read them at the hotel. It truly made the trip so much more meaningful. And it helped us to figure out where we wanted to go and illuminated so much about the culture of the people of Spain. I have a much better sense of the culture and people of this wonderful country. It made the experience of our trip richer and deeper. If you're going to Spain, don't go without this book.

Book Description

Using a wealth of examples, Arnheim considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture.

Customer Reviews:

Yes!.......2007-03-20

I've been looking for a book like this for years! As a photographer, I know what I like but I can't always say why I (or others) like it--in other words, what makes a "good" image. Arnheim helps by examining with extraordinary sensitivity the psychology and even physiology of visual perception.

Yes, it's complicated, and if you are not on the same wavelength as the author it may seem obtuse (perhaps even willfully so). But if your thinking is congruent with his, if you have been puzzling over how people examine images, how their eyes move about an image and absorb and appreciate it, then Arnheim's analysis is nothing short of brilliant and revelatory. I find myself saying "Yes! Yes! Yes!" as I read.

There is more here than I need--much more. I don't feel that I need to master everything he writes in order to fulfill my need to understand visual perception so as to improve my photography. But I celebrate the day I discovered this book, and I congratulate the author on such a perceptive, clearly--even engagingly--written work.

A classic by the great pioneer in the perception of art.......2005-11-28

Arnheim's great books inspired me to make my own analysis of one artist's paintings, van Gogh, so I just wanted to make a few comments about that. (I even once received a letter from Arnheim, saying he liked my ideas).

As Ernst Gombrich has shown, analyzing space in a picture is an extremely complex business. The fact that even sophisticated observers sometimes form mistaken impressions of a pictorial space is itself an interesting phenomenon and illustrates an important principle of the human visual system, which is that it is not very good at evaluating precise metrical relationships. If the space is so constructed that it is at least internally consistent, it may look realistic when it is not, and the space may even seem distorted when it is not.

Considering the problem of the different recession rates for the objects in van Gogh's paintings, how do we account for these distortions? We could simply dismiss them as errors resulting from van Gogh's inability to paint perspectivally, but would be a mistake, for the following reasons:

1) The magnitude and direction of the errors in the sizes of objects are consistent with known psychophysical mechanisms of size constancy.

2) There is a strong shape constancy effect, and also (as John Ward has pointed out), such as in the two chairs and the pictures on the wall (in his Bedroom at Arles).

3) Van Gogh's failure to map out an initial, precise, major metric eliminates the most important perspective cue for object scaling and thus permits the inherent constancy-scaling effects of the human visual system to surface.

4) Although distorted perspectivally, the space is nevertheless internally consistent. This is to be expected from secondary size-constancy effects.

5) The technique of squinting to enhance one's depth of field, which van Gogh sometimes used, would reinforce cues to size constancy by essentially putting the station point behind the artist.

Points 4 and 5 require further discussion.

As noted earlier, secondary size constancy is the tendency for the sizes of objects to correlate with other perspective cues. Even in a painting with a very poorly defined or no major metric (such as in van Gogh's Bedroom), most perspective errors are not random. If they were, the errors would occur in both positive and negative directions about some mean value and would therefore average out. This is rarely the case, however. Usually the errors show a consistent trend. This is because once a given direction and magnitude of deviation has been established, other cues tend to be altered accordingly for the sake of consistency. This can be seen in van Gogh's Bedroom where different objects show similar effects. Although the objects themselves show different vanishing points, the size effect is nevertheless the same.

Van Gogh is also known to have used squinting in order to increase his depth of field. This would cause both foreground and background objects to appear simultaneously more in focus and therefore would have the effect of putting the station point artificially in back of the observer. Durer illustrated a device to accomplish this in his treatise on perspective, but simply squinting strongly can produce a powerful effect of several feet.

Schapiro, Heelan, and various other writers have commented on the sense of realism which van Gogh's paintings create in the viewer. But at this point we could ask why, if van Gogh's perspective space is in many ways so imprecise, we continue to see it as powerful and realistic? Partly it is due to the fact that although there are many spatial distortions present, the space is nevertheless consistent with psychophysical expectations and the distortions due to size constancy are of the proper psychophysical magnitude. This is perhaps to be expected given van Gogh's interest in objects and in the depiction of objects for their own sake. The result is that objects possess more autonomy in van Gogh's paintings than they would if he had taken pains to construct a unified perspective space and thus show appropriate psychophysical effects.

The main reason, however, concerns a fundamental principle of mammalian visual systems. It has been demonstrated repeatedly in experiments that the human visual system is a poor detector of the absolute values of such things as brightness and distance. On the other hand, the visual system is very good at preserving relationships and relative levels of things. Our eyes, for example, throw away information about luminous intensity but conserve and even enhance information about relative brightness and contrast borders, as in the well-known case of Mach bands. This mechanism enables us to easily detect the outlines of objects under varying levels of illumination. In fact, the visual system is such a good extractor of lines that it creates them where they don't even exist or where they are only suggested, as in the well- known case of illusory and subjective contours.

A similar phenomenon occurs in space perception. As I discussed earlier in this article, many experiments have shown that people rarely view paintings from the proper perspective point, and yet experience very little distortion in the perceived objects. This suggests that the visual system constructs an internal model which preserves the relations between the objects in a scene. When distortions occur, the visual system is capable of compensating internally for the perceived distortion. In practical terms, this means that the perspective may depart substantially, both quantitatively and qualitatively, from reality and yet be seen as realistic if it is not too greatly distorted and if the space is at least internally consistent.

What all this shows is that artists are, in essence, perceptual problem solvers, or, as Rudolph Arnheim has said, "visual thinkers." Such a view is, I believe, preferable to the idea that the artist paints from some inexplicable or mysterious talent, or from some sort of abnormal psychology or pathology.

More scientific than artistic.......2000-04-21

The book reads like a complicated mathematical college text book. The author either tries to impress you with his knowledge of the english language or confuse you with the ideology behind his observations in artistic composition. I found the book to be very confusing and at times boring enough to put it aside and read something else. The author does relate some good input when critiquing paintings but you need pay complete attention to the beginning of the book in order to understand his complicated formulas. It is definetely not an easy read, and not for the artist. This book is for the art critic who tries to find scientific formulas for the study of composition.

The Power of the Center: A Study of Composition in the visua.......2000-04-18

This book offers an in-depth analysis of the visual dynamics in a piece of art according to the sizes, positions, orientations and the balancing centers of its components. Paintings, sculptures and architectures are the subjects of discussions in the book. In addition to the balance between the components of a piece of art, the shape of a picture frame, the environment, the perspective prescribed by the artist and the viewer all play an important role in the interpretation of a piece art. The author takes an step-by-step approach to explain how the understanding of the roles of all these elements would help us to appreciate a piece of art. Many examples, modern and classical, are provided to demonstrate his points. I find his approach to understanding a piece of art interesting and revealing. This is one of the best books I ever read about arts. I think this book would benefit aspiring artists and art enthusiasts alike. I would hane given it five stars instead of four and a half if the pictures in the book were in color.

The Power of the Gaze: An Introduction to Visual Literacy (New Literacies and Digital Epistemologies)

Average customer rating:

The Power of the Gaze: An Introduction to Visual Literacy (New Literacies and Digital Epistemologies)
Janne Seppanen
Manufacturer: Peter Lang Publishing
ProductGroup: Book
Binding: Paperback

Photojournalism | Photography | Arts & Photography | Subjects | Books

Journalism | Writing | Reference | Subjects | Books

Dreams | New Age | Religion & Spirituality | Subjects | Books

General | New Age | Religion & Spirituality | Subjects | Books

Dreams | Self-Help | Health, Mind & Body | Subjects | Books
Similar Items:

ASIN: 0820481394

Book Description

The Power of the Gaze, a textbook on visual literacy, entices the reader to seek significant structures in everyday visual reality, which are called visual orders. Visual orders can be found in representations, visible surroundings, or in nonverbal interaction that relies on gaze. In order to understand what one looks at, one must first understand what it means to gaze and what it means to look. Visual literacy is defined as the critical understanding of the meanings of visual orders. The book is written for all readers interested in visual culture and its phenomena.

The Art of Allegiance: Visual Culture and Imperial Power in Baroque New Spain

Average customer rating:

The Art of Allegiance: Visual Culture and Imperial Power in Baroque New Spain
Michael J. Schreffler
Manufacturer: Pennsylvania State University Press
ProductGroup: Book
Binding: Hardcover

General | History & Criticism | Arts & Photography | Subjects | Books

Baroque | Schools, Periods & Styles | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Spain | Europe | History | Subjects | Books

Book Description

The Art of Allegiance explores the ways in which Spanish Imperial authority was manifested in a compelling system of representation for the subjects of New Spain during the seventeenth century. Michael Schreffler identifies and analyzes a corpus of "source" material--paintings, maps, buildings, and texts--produced in and around Mexico City that addresses themes of kingly presence and authority as well as obedience, loyalty, and allegiance to the crown.

The Art of Allegiance opens with a discussion of the royal palace in Mexico City, now destroyed but known through a number of images, then moves on to consider its interior decoration, particularly the Hall of Royal Accord, and the numerous portraits of royalty and government officials displayed in the palace. Subsequent chapters examine images in which the conquest of Mexico is depicted, maps showing New Spain's relationship to Spain and the larger world, and the restructuring of space in and through imperial rule. Although the book focuses on material from the reign of Charles II (1665-1700), it sheds light on the wider development of cultural politics in the Spanish colonial world.

Average customer rating:
PR Newswire : ATEN Technology Unveils New 2- and 4-Port KVM Switches With (DVI) Digital Visual Interface Connectivity; KVM Switches Include USB Supportto Power DVI Devices.

Manufacturer: PR Newswire Association LLC
ProductGroup: Book
Binding: Digital

General | Business & Investing | Subjects | Books
General | Business & Investing | Subjects | e-Docs | Formats | Books
ASIN: B0007UTZ4K
Release Date: 2005-03-11

Book Description

Word count: 751.

Purchasing Power: Representing Prostitution in Eighteenth-Century English Popular Print Cilture (British Art and Visual Culture Since 1750 New Readings)

Average customer rating:

Purchasing Power: Representing Prostitution in Eighteenth-Century English Popular Print Cilture (British Art and Visual Culture Since 1750 New Readings)
Sophie Carter
Manufacturer: Ashgate Publishing
ProductGroup: Book
Binding: Hardcover

General | Arts & Photography | Subjects | Books

General | Crafts & Hobbies | Home & Garden | Subjects | Books

Printmaking | Crafts & Hobbies | Home & Garden | Subjects | Books

All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books
ASIN: 0754606295

Book Description

Prostitution was central to popular print depictions of London in the eighteenth century. Whether deployed as incidental colour in street scenes or providing the sole subject matter for prints, the figure of the prostitute lay at the very heart of the project to depict the fabric and character of the emerging metropolis. In this, the first in-depth examination of the numerous images of prostitution produced for London's print market throughout the eighteenth century, Sophie Carter challenges perceptions of the period as an era of healthy and largely tolerant ribaldry, demonstrating instead how such imagery was born of and driven by extreme cultural anxiety.

Book Description

This digital document is an article from Queen's Quarterly, published by Queen's Quarterly on September 22, 2004. The length of the article is 2421 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: New York, blacked out.
Author: Charles Dantzig
Publication: Queen's Quarterly (Refereed)
Date: September 22, 2004
Publisher: Queen's Quarterly
Volume: 111 Issue: 3 Page: 395(10)

Distributed by Thomson Gale

Customer Reviews:

Buy it for the pictures........2002-02-13

To start of, this book is filled with a huge number of great pictures and photos of pythons and their anatomy. This book is a great edition to a well built herpetology library because its mostly useful only for the pictures.

The author is dry, boring and last but not least very uninformed. He doesn't use the common names for some snakes and instead uses names which could be very confusing like calling the children's python a faded python. Due to this fact the book left me dwelling in many brain farts.

Also, the author of this book needs to take himself to school and enroll in some zoology classes. The way he defines "species" is ludicrus when combined with the fact that he doesnt beleive in "sub-species." Basicall Walls will go against of what all of us learned in high school and college biology classes.

Walls' husbandry and breeding facts also contradict other MORE accurate literature on pythons in some instances. I'll use the childrens python again for example... Walls says that this snake is hard to breed while another more accepted source on pythons by Barelett and Wagner state the exact opposite. This is another great source of more confusion.

In conclusion this is a decent book to buy if youre looking for great pictures and SOME knowledge on pythons. The author is obviously not an expert on pythons or on biology. This book would make a great python encyclopedia(with some inaccuracies) but please don't use it for buying or taking care of pythons.

A must-have for pythonlovers!.......2000-02-16

This book tries to describe most of the living pythons. I only miss certain subspecies. The author tells in a bright way the differences between the species. Also there is a clear way of telling general things like names of scales, scalecounting, describing the habitat and so forth. I've read the book with lots of pleasure and I 've used it several times to look after some details about PYTHONS. Jan Ramaker, Simonshaven, The Netherlands

too much verbal descript. Not enough husbandry details.......1999-05-21

This author does not go into detail about husbandry techniques to satisfy most herpers. He concentrates way too much on verbal description of the animals in the way of scale counts, etc. A very cursory examination of each python species and husbandry techniques. Jerry Walls doesn't even keep pythons, and the book lacks passion. It is a bit too clinical and dry for my taste. If you are interested in long verbal descriptions of the animals, which can easily be left out with a photo, then this book is for you. If you want a more personal and husbandry oriented read, then pass this one up.

Monty Python 2001 Calendar with Useless Tips for Living

Average customer rating:

Monty Python 2001 Calendar with Useless Tips for Living
Monty Python's Flying Circus
Manufacturer: The Ink Group
ProductGroup: Book
Binding: Calendar
ASIN: 1740401654

Book Description

Mary du Caurroy, Duchess of Bedford, wife of the 11th Duke took her first flight in 1926 at the ripe old age of 61. The following year both Mary and her trusted pilot, Charles Barnard, set off in her Cirrus Moth biplane around Britain and abroad. Her Moths took her around Europe, to Jerusalem and Petra, The Gambia and the Canaries, and finally across the Sahara until,in 1937 she took off on a solo flight v and was never seen again.

Book Description

'Gardening' declared the London Times recently, 'is the new sex', and certainly interest in horticulture has never been more fervered. The latest in Prestel's highly successful "Icons" series looks at the masterpieces of garden design and how they have influenced our understading of this ancient and complex art.

The English vision: The picturesque in architecture, landscape, and garden design (Icon editions)

Average customer rating:

The English vision: The picturesque in architecture, landscape, and garden design (Icon editions)
David Watkin
Manufacturer: Harper & Row
ProductGroup: Book
Binding: Hardcover

General | Architecture | Professional & Technical | Subjects | Books

General | Gardening & Horticulture | Home & Garden | Subjects | Books
ASIN: 0064388751

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Average customer rating:

House Beautiful Christmas

Manufacturer: Hearst Books
ProductGroup: Book
Binding: Hardcover

General | Crafts & Hobbies | Home & Garden | Subjects | Books

General | Interior Design | Home & Garden | Subjects | Books

Customs & Traditions | Social Sciences | Nonfiction | Subjects | Books

General | Social Sciences | Nonfiction | Subjects | Books

Amazon.com

If Christmas makes your house look great, just think what it does for the country houses of the Manhattan elite and the Colonial mansions of the Williamsburg landed gentry. You can sink into a book like this one and stay there for hours, imagining how you'd do Christmas if you won the lottery. It features tastemakers who have just a smidge more je ne sais quois (and a lot more dishes) than the rest of us, and decorate, entertain, and celebrate in massive style. You'll look at the photos and think, "Yes, that is how I'd decorate the traditional kiva fireplace in the master bedroom suite." Loaded down with gorgeous photographs on nearly every page, this book is perfect both for those who can't afford to emulate it and those who can.

Book Description

For nearly one hundred years, House Beautiful Magazine has helped to make the holidays a special time. This is a collection of decorating, celebrating, and entertaining ideas for the festive season.

Average customer rating:

House Beautiful Christmas
House Beautiful Magazine Editors
Manufacturer: Hearst
ProductGroup: Book
Binding: Hardcover
ASIN: B000NUROLA

House Beautiful Decorate for the Christmas Season (House Beautiful)

Average customer rating:

House Beautiful Decorate for the Christmas Season (House Beautiful)
Sally Clark , and From the Pages of House Beautiful
Manufacturer: Hearst
ProductGroup: Book
Binding: Paperback

Household Hints | How-to & Home Improvements | Home & Garden | Subjects | Books

Decorating | Interior Design | Home & Garden | Subjects | Books

Home Improvement | Home & Garden | Bargain Books | Stores | Books

All 4-for-3 Deals | 4-for-3 Books Store | Stores | Books
Similar Items:

ASIN: 158816294X

Book Description

Here are all of the magazine’s very best, most creative ideas, all gathered in one elegant, lushly illustrated volume, rich with imaginative plans for decorating during this most festive season. Christmas angels nestle in yards of pleated silk ribbon, and holly and ivy brighten mantels. Dozens of wonderful trees and unique ornaments, as well as beautiful ideas for wrapping gifts, bring the Christmas spirit to life.

House Beautiful Decorate for the Christmas Season

Average customer rating:

House Beautiful Decorate for the Christmas Season
Sally Clark; From the Pages of House Beautiful
Manufacturer: Hearst
ProductGroup: Book
Binding: Paperback
ASIN: B000MC187K

Book Description

This digital document is an article from Epoca, published by Thomson Gale on September 1, 2006. The length of the article is 1135 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Ni el cine se atreve a conspirar sobre el 11-S: Hollywood se centra en el heroísmo del vuelo united 93 y de los servicios de emergencia: cinco años después, las únicas novedades sobre los atentados son dos películas que se ciñen al guión oficial. su acogida por la opinión pública en EE UU demuestra que incluso es pronto para revivir aquel drama colectivo.
Author: F. Saralegui
Publication: Epoca (Magazine/Journal)
Date: September 1, 2006
Publisher: Thomson Gale
Issue: 1113 Page: 48(4)

Distributed by Thomson Gale

El corto vuelo del gallo: La controvertida historia del padre de los Franco : pieza en dos actos

Average customer rating:

El corto vuelo del gallo: La controvertida historia del padre de los Franco : pieza en dos actos
Jaime Salom
Manufacturer: Grijalbo
ProductGroup: Book
Binding: Unknown Binding

Spanish | World Literature | Literature & Fiction | Subjects | Books

Spanish | Foreign Language Fiction | Literature & Fiction | Subjects | Books

Spanish | Foreign Language Nonfiction | Nonfiction | Subjects | Books

El vuelo del "Plus Ultra": Bodas de oro con la historia : (1926-1976)

Average customer rating:

El vuelo del "Plus Ultra": Bodas de oro con la historia : (1926-1976)
Jose Maria Segovia Azcarate
Manufacturer: Excma. Diputacion Provincial
ProductGroup: Book
Binding: Unknown Binding

Spanish | Foreign Language Nonfiction | Nonfiction | Subjects | Books

Historia del vuelo sin motor en Espana: 1930-1995

Average customer rating:

Historia del vuelo sin motor en Espana: 1930-1995
Miguel Tauler Gelabert
Manufacturer: Ministerio de Defensa
ProductGroup: Book
Binding: Unknown Binding

General | Water Sports | Sports | Subjects | Books

Spanish | Foreign Language Nonfiction | Nonfiction | Subjects | Books

Average customer rating:

Good Reading

Awesome

Absolutely Astonishing

Absolutely inspiring!

No Borders : A Journalist's Search for Home
Jorge Ramos
Manufacturer: Amazon Remainders Account
ProductGroup: Book
Binding: Paperback
Similar Items:

The Other Face of America: Chronicles of the Immigrants Shaping Our Future

Dying to Cross : The Worst Immigrant Tragedy in American History

The Latino Wave : How Hispanics Are Transforming Politics in America

Morir en el Intento : La Peor Tragedia de Inmigrantes en la Historia de los Estados Unidos

Atravesando Fronteras : Un Periodista en Busca de Su Lugar en el Mundo

ASIN: B000F6Z8AQ

Book Description

Home is a collection of memories. Home helps us understand who we were and who we are, and allows us to predict who we may one day become. Some leave home early in their lives and, thrill after thrill, struggle to get back to their emotional center. Without borders, these eternal wanderers never give up their search for life's next adventure, hoping that one day they will find a place that they can once again call home.

So begins the thoughtful journey of an extraordinarily sensitive autobiography from Jorge Ramos, a man who perfectly embodies this adventurous spirit, and who hopes to someday find that place where he may finally feel anchored.

Never before has Jorge Ramos, award-winning anchorman for America's top-rated Spanish-language nightly newscast, let readers into so personal a space. From the lovers he's had throughout his life to his passion for journalism to his own sense of fulfillment, Ramos allows us to personally know a man we've trusted to deliver the news for years. We realize that Ramos firmly grasps the idea that in order to live life to the fullest, one must take chances, and that risk is ultimately what leads one toward wisdom.

Ramos details his struggle as a student living in L.A. in the early 1980s, his first foray into American journalism, and the English-language establishment that told him he would amount to nothing if he didn't lose his accent. Ramos then invites us into the early days of Spanish-language news and media-- an industry that most early critics thought was useless and irrelevant -- whose now skyrocketing popularity has made it a powerful player in American culture.

From the many wars he has covered and the places he has seen to the world leaders he has interviewed, Jorge Ramos draws readers in with the powerful story of a man whose search and ambition for a career in journalism have led him to the country he would love to call home, but cannot. We come to know a man whose humor and sense of fearless adventure have simultaneously brought him close to, and saved him from death, and whose weekly Saturday soccer match is the closest he can get to a sure thing in a life layered with the trials of the unexpected.

A father, journalist, husband, and son, Ramos shows in No Borders that each of us can be a witness to history and that wandering may in fact be preferable to forever staying in one place.

Customer Reviews:

Good Reading.......2004-09-16

This book reflects how an immigrant who works hard in the USA can succeed financially and professionally. Ramos has certainly proved that=--Congratulations. It is unfortunate that even though he has interviewed leaders of other countries and see how government in other countries hold back progress of their own people and yet Ramos hesitates to call USA his home. As he acknowledges Mexico made him and USA developed him...like a biological farther who has a child yet never nourishes or parents his child but the stepfather is really the "Father" because the step dad has cared, nourished the child. USA has been the step father for Ramos in many ways.

Awesome.......2003-09-11

I truly enjoyed reading this book, Univision was always on my mom's television set and Mr. Ramos is my mom's favorite journalist, she loves him, and now I see why. Thank you Jorge for sharing your incredible story.

Absolutely Astonishing.......2003-01-18

This has to be one of the most astonishing and incredible memoirs of hispanics living in the United States. I loved Ramos's simplistic style, yet profound way of describing his thoughts. For those interested in journalism, this is a book to read.

Absolutely inspiring!.......2002-12-15

Having read The Other Face of America, I had to get my hands on Jorge Ramos's memoir. He has inspired me to pursue a career in journalism, which is why I have followed his career for years. In No Borders, Ramos gives the reader an inside look into the life of a young Hispanic male seeking the American Dream. He moved to the U.S. from Mexico at the age of twenty-five, with very little experience in the journalistic field. Twenty-years later, he is a seven-time Emmy Award winning anchorman for Univision. From his tale of how he became one of the most successful reporters to recaps of his biggest news assignments, No Borders is an inspiring memoir about a man who stopped at nothing to get to where he is today...

Books:

Books Index

Books Home

Recommended Books