Prochloron: A Microbial Enigma (Current Phycology Series 1)

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The miles of coastline, combined with long hours of sunshine, are ideal for family holidays. Cream teas and fish suppers tempt the appetite. Enjoy the wild beauty of the moors, admire the elegance of 18C architecture and discover the maritime heritage of major ports and fishing villages. THE GREEN GUIDE, the perfect travel companion: a discerning and up-to-date source of information. Practical and comprehensive, it offers suggestions on what to see and what to do, background on history and cultural heritage. Ideal guides for the independent tourist, THE GREEN GUIDE explores destinations both near and far. Sights are rated - 3 stars "worth a journey", 2 stars "worth a detour" and 1 star "interesting". Maps and itineraries make planning easy, whether visiting the highlights or venturing off the beaten track. Travel with THE GREEN GUIDE for an exciting and memorable experience.

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The Incas created a great civilization with a rich culture in pre-Columbian South America. This volume lets readers share in the day-to-day activities of these people and details for them Inca customs, religion, government, and art.

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A stunning, controversial work that immediately outraged audiences with its scatological references during the 1896 premiere, the farce satirizes the tendency of the successful bourgeois to abuse his authority and become irresponsibly complacent. Championed as the first absurdist drama, Ubu Roi features a main character that is cruel, gluttonous, and grotesque.

Customer Reviews:

Ubu Forever!.......2006-09-14

At $ 3.99 a copy you can't go wrong. I found this in the bargain bin at a local bookstore and thought I was in an absinthe delirium. The brilliant beginning of avant-garde theatre. Don't miss it.

Roll over Dover.......2005-07-06

Silvermom's review of Ubu Roi on this site is misleading. It refers to the New Directions edition of the play, now unfortunately out of print. The Dover edition does not have the delightful line drawings, nor the added essays on theatre by Jarry. Also, I don't much care for Dover's gratuitous (and inaccurate) translation of "Ubu Roi" as "King Turd." On the other hand, as far as English translations go, Dover's is pretty much the only game in town. And Jarry's game is wonderfully worth playing, full of rambunctious anarchic high spirits. Just so you have a better idea of what you'll actually be getting.

Not just Ubu Roi!.......2002-05-11

1991 22nd printing includes; Ubu Roi, a Drama in 5 acts; The Song of Disembraining by Alfred Jarry; 2 essays on the theatre by Jarry - "Questions of the Theatre" and "Of the Futility of the "Theatrical" In the Theatre";2 portraits of author by L. Lantier and F. A. Cazals;several drawings by Jarry and Pierre Bonnard;204 drawings by Franciszka Themerson doodled on lithographic plates. Fascinating book!

Not just Ubu Roi!.......2002-05-10

1991 22nd printing includes; Ubu Roi (drama in 5 acts); The Song of Disembraining;2 essays on theatre by Alfred Jarry-"Questions of the Theatre" and "Of the Futility of the "Theatrical" In the Theatre";2 portraits of the author by L. Lantier and F.A. Cazals, several drawings by Jarry and Pierre Bonnard and 204 drawings by Franciszka Themerson doodled on lithographic plates. Fascinating little book!

supremely funny and farcical.......1999-08-22

Hugely, magnificently funny. I saw a live production of this play on an education channel some years ago. It is totally anarchic and joyful.

The Ubu Plays: Includes: Ubu Rex; Ubu Cuckolded; Ubu Enchained

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Incoherent Rubbish from a Drunk
The Only True Dada Book
Read and Compare Translations
Wild book!
Terry Gilliam meets Shakespeare by way of Troma Films!

The Ubu Plays: Includes: Ubu Rex; Ubu Cuckolded; Ubu Enchained
Alfred Jarry
Manufacturer: Grove Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0802150101

Book Description

Alfred Jarry is regarded as one of the founders of modern avant-garde theatre— “Dada, Surrealism, Pataphysics, Theatre of Cruelty, the Absurd—all owe a debt to Jarry.” (Encore) This volume contains his three classic Ubu texts: Ubu Roi, Ubu Cocu and Ubu Enchaîné. Through the lucid translations of Connolly and Taylor, the reader comes to realize that the violent and loathsome Ubu is Jarry’s dark metaphor for man in the modern age. As Ubu himself said, “We shall not have succeeded in demolishing everything unless we demolish the ruins as well.”

Customer Reviews:

Incoherent Rubbish from a Drunk.......2006-03-21

Jarry, a semi-psychotic, flaccid, career drunk, who once attacked Proust with a pen knife, and masterminded an invasion upon the Notre Dame cathedral with an army of beggars, is hardly even worth mentioning in the domain of great literature, it is in fact, a fact, that he only wrote bland comic monstrosities which aren't even very interesting. His structure is incoherent and reminscent of a lunatic who blathers out underdeveloped nonsense. Maybe if he had invested some time on organization instead of drinking Absinthe all day, he could have achieved some appreciation for great words of art.

The Only True Dada Book.......2005-02-26

King Turd is a French play written by Alfred Jarry. At the time he wrote the play he was 15 years old. King Turd is a collection of three plays Ubu Roi, Ubu Enchaine, and Ubu Cuco. He wrote the play Ubu Roi to perform with marionettes for some cash in 1888. The play was first performed with live actors in 1896.
Ubu Roi was the first to be written, it follows the story of Papa Turd and Mama Turd who try overthrowing the government to become the king and queen of Poland. Ubu Enchaine was written after Alfred Jarry some wrote other plays. It is the exact opposite of Ubu Roi following Papa Turd and Mama Turd as they try to become slaves. Ubu Cuco is a considerably headier story then the previous. The plot follows Papa Turd's encounters many gods, the higher class, and his conscience.
The story is usually considered a satire of Shakespeare. That is true, many of the characters are very similar to characters in plays by Shakespeare. But Ubu is also a satire of everything in late 19th century France. Things like money grabbing politicians and a stupid public are still around today. Therefore it is still relevant. Because Ubu Roi was written by a 15 year old it contains very simple language and is often nursery rhyme like. If you can read French it is better to read the book in French to catch all the word puns that Alfred Jarry wrote.
The character of Papa Turd is one of the most interesting characters I have ever met in a book. He was one of the first characters in a novel to use language that is still considered naughty over 100 years later. The character of Papa Turd can be seen through his master plan "start by grabbing all the money, then kill everybody and leave." King Turd is an extremely humorous book. It is highly recommended to someone who wants something more then Shakespeare and the Family Circus.

Read and Compare Translations.......2003-01-02

By my Green Candle !! Jarry is very difficult to translate from the French, so be sure to read and compare various translations to really get the feel, if you don't read French. Well worth the effort, and this volume is a fine place to start.

Wild book!.......2000-10-02

This is a school joke that has evolved into an epic! McLeish's translation takes a lot of liberties and sometimes many things are lost. On the other side, he possesses great wit and through compensation, his work comes out as one of the best translations!

Terry Gilliam meets Shakespeare by way of Troma Films!.......2000-05-14

Alfred Jarry is the grandfather of modern day surrealism, and the Ubu trilogy is a great, twisted work of genius. It reads like Shakespeare crossed with a slasher film. It's also a great parody of anything you can think of, and it is quite hilarious. The Ubu trilogy deals with the epic rise and fall of Pa and Ma Ubu, as they become Kings of several European countries, get involved in murder more than once, fight in wars, have deadly encounters with bears in caves, and even voluntarily become slaves. Great stuff! If you like Samuel Beckett, then you have to check out Jarry too!

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Ubu and the Truth Commission
J. Taylor
Manufacturer: Juta Academic
ProductGroup: Book
Binding: Paperback

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ASIN: 1919713166

Plays by Women: Book Two : An International Anthology (Ubu Repertory Theater Publications)

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Plays by Women: Book Two : An International Anthology (Ubu Repertory Theater Publications)
Ntozake Shange
Manufacturer: Ubu Repertory Theater Publications
ProductGroup: Book
Binding: Paperback

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Country Landscapes (Ubu Repertory Theater Publications,)

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Country Landscapes (Ubu Repertory Theater Publications,)

Manufacturer: Ubu Repertory Theater Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0913745235

Book Description

In an isolated country house, a woman, her former lover and her convalescent husband are drawn into an enigmatic struggle. 12 short scenes. 1f, 2m

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Family Portrait (Ubu)
Denise Bonal
Manufacturer: Ubu Repertory Theater Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0913745367

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A sharp, compelling and humorous look at a working class mother who struggles to do her best for her eccentric family. 12 scenes. 3f, 4m

Gay Plays: An International Anthology (Ubu Repertory Theater Publications)

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Gay Plays: An International Anthology (Ubu Repertory Theater Publications)
Jean-Marie Besset , Herve Dupuis , Jean-Claude Van Itallie , Liliane Wouters , Anne-Marie Glasheen , and Copi
Manufacturer: Theatre Communications Group
ProductGroup: Book
Binding: Paperback

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Glorious Destiny of Marshall Nnikon Nniku (Ubu Repertory Theater Publications,)

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Glorious Destiny of Marshall Nnikon Nniku (Ubu Repertory Theater Publications,)

Manufacturer: Ubu Repertory Theater Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0913745189

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The rise and fall of the maniacal leader of a fictious African republic. The struggle for sanity and survival under a military dictatorship is traced with grim hilarity in this sinister comedy-farce from the Congo. 23 scenes. 4f, 17m, extras and offstage voices

Intelligence Powder (Ubu Repertory Theater Publications,)

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Intelligence Powder (Ubu Repertory Theater Publications,)

Manufacturer: Ubu Repertory Theater Publications
ProductGroup: Book
Binding: Paperback

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A rogue philosopher, named Puff of Smoke, schemes to outwit the Sultan of his North African kingdom by selling sand as intelligence powder and claiming to have a donkey that excretes gold coins. From Algeria. 1 act. 1 set. 1f, 14m, chorus and extras

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Jock (Ubu)

Manufacturer: Ubu Repertory Theater Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0913745375

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A once-seductive athlete, his mild-mannered brother, and his beautiful, estranged wife wage a deadly battle of wills. 4 scenes. 1f, 2m

Customer Reviews:

Excellent Pond book.......2000-11-04

As a hobbyist for more than 3 decades, this is a very good book for those thinking about doing a pond as well as those who already have one. An excellent and well written guide for beginners.

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Growing Orchids Book Three: Vandas, Dendrobiums and Others
Rentoul J. N.
Manufacturer: Intl Specialized Book Service Inc
ProductGroup: Book
Binding: Paperback

General | Gardening & Horticulture | Home & Garden | Subjects | Books
ASIN: 088192055X

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Growing Orchids: Book Three: Vandas, Dendrobiums and Others
J.N. Rentoul
Manufacturer: Lothian Pub Co
ProductGroup: Book
Binding: Hardcover
ASIN: B000KVAQXA

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Growing Orchids. Book Three: Vandas, Dendrobiums and Others
J.N. Rentoul
Manufacturer: Timber Press
ProductGroup: Book
Binding: Paperback
ASIN: B000QXUSA8

Book Description

Winner of Best Non-Fiction for 2002 Award from the Los Angeles Times Book Review! Samuel Fuller was one of the most prolific and independent writer-director-producers in Hollywood. His 29 tough, gritty films made from 1949 to 1989 set out to capture the truth of war, racism and human frailties, and incorporate some of his own experiences. His film Park Row was inspired by his years in the New York newspaper business, where his beat included murders, suicides, state executions and race riots. He writes about hitchhiking across the country at the height of the Great Depression. His years in the army in World War II are captured in his hugely successful pictures The Big Red One, The Steel Helmet and Merrill's Marauders. Fuller's other films include Pickup on South Street; Underworld U.S.A., a movie that shows how gangsters in the 1960s were seen as "respected" tax-paying executives; Shock Corridor, which exposed the conditions in mental institutions; and White Dog, written in collaboration with Curtis Hanson (L.A. Confidential), a film so controversial that Paramount's then studio heads Jeffrey Katzenberg and Michael Eisner refused to release it. In addition to his work in film, Samuel Fuller (1911-1997) wrote eleven novels. He lived in Los Angeles with his wife and their daughter. A Third Face was completed by Jerome Henry Rudes, Fuller's longtime friend, and his wife, Christa Lang Fuller. "Fuller wasn't one for tactful understatement and his hot-blooded, incident-packed autobiography is accordingly blunt ... A Third Face is a grand, lively, rambunctious memoir." - Janet Maslin, The New York Times "Fuller's last work is a joy and an important addition to film and popular culture literature." - Publishers Weekly "If you don't like the films of Sam Fuller, then you just don't like cinema." - Martin Scorsese, from the book's introduction

Customer Reviews:

A Third Face.......2005-09-19

"Film is like a battleground. Love. Hate. Action. Violence. In one word, emotion." That line of dialogue, ad-libbed by Samuel Fuller in Jean-Luc Godard's `Pierrot le fou,' seems to more or less sum up his philosophy of film making. Those of us who aren't fans of the film director may mourn the absence of words like `coherence' and `plausibility,' but there's no denying that most of Fuller's film literally burst with energy.

As does his autobiography `A Third Face,' written with wife Christa at the end of a long and event filled life, even those who find Fuller's film a little too energetic will find this book interesting. Starting out in New York City, where he found working as a copy boy and reporter on Park Row more interesting than the high school he'd abandon without graduation, to his service in the 1st U.S. Infantry Division (the Big Red One) in World War Two, through to his post-war career as a screen writer and film director, Fuller is never boring.

With the possible exception of `The Big Red One' (1980), a film that he'd nursed for years, Fuller's career peaked in the mid-60s with independent productions like `Shock Corridor' and `The Naked Kiss.' Although Fuller claims he was offered both `The Longest Day' ("My own vision of war and the world made me say no") and `Patton' ("After my war experiences, I didn't have the necessary detachment to do a picture celebrating the man"), it's as intriguing to contemplate how he might have directed these films as it is to wonder how serious were the offers. After all, as he admits, he `was prone to excess' and loved to grab the audience and shake them. Not necessarily what you look for in a big picture director. The third face, to Fuller, is the inner person that nobody else sees. "My third face was my own holy sanctuary... It was a storage room that nobody but me could enter... It wasn't just a concept for me but a very real locale, captivating and whimsical, cozy and seductive, the geisha girl of my brain." A Third Face is captivating and whimsical, cozy and seductive, too. A strong recommendation for this one.

He lived to tell his tales........2005-07-10

I read Sam Fuller's, A Third Face: My Tale of Writing, Fighting, and Filmmaking, after seeing three of his more mainstream movies on dvd. Told in a tough-guy no-nonsense style (with a bit of mild profanity), the book is a blast.

Parts one and two (the first 229 pages of the paperback's 562 pages of narrative) rank among the best memoirs I have read of the first half of the twentieth century. In the first part he tells of his youth in New York City's vigorous newspaper business in the 1920s--from selling papers to copy boy to crime reporter--followed by his years in the 1930s hoboing around the country doing free lance journalism, ultimately ending up in Hollywood writing for the Hollywood machine. Part two is his account of his years as an enlisted man in the First Infantry Division, the Big Red One. It is interesting to find out how many happenings in his film of that name actually occurred. If you have a friend who only reads about WWII, you can recommend this to him/her just for part two; s/he will thank you.

The remaining parts recount his experiences in Hollywood making movies, then the years when things fall apart, and finally his years as a famous man in France sought after by many young filmmakers. It is amazing to read how the Pentagon once called him to Washington (and he went!) to grill him about one of his movies and how J. Edgar Hoover objected to certain aspects of his films as un-American.

The book's many illustrations are well chosen and fit the text where they appear.

Fuller had an amazing life and an ever active imagination. In his last days he produced a book well worth reading even if you have never seen any of his films. Highly recommended.

Sam Fuller's Best Work.......2005-02-03

Sam Fuller has a strong, cult like following. He made a couple great films, but to be honest, the rest were very choppy, B grade thrillers that get a bit overrated by that cult.

A THIRD FACE is his greatest work.

This is an absolutely wonderful autobiography. Following his early days as a newspaper writer, his time in WWII, and his years as a writer and director. This is honestly more fun to read than any of his films are to watch.

The most amazing thing about the book is that it is written in his voice. If you ever saw him interviewed, or act in a film, he had a very distinctive voice. The book sounds just like he spoke. With short phrases, lots of exclamation points, just like he sounded!! It is the closest you are going to get to him reading it to you.

Even if you aren't familiar with his films, this is a great read.

A monumental acheivement.......2004-09-30

"A Third Face" is one of the great crusty, caustic autobiographies of recent years. Fuller died a few ago, an old cigar smoker of pithy phrase, maverick tendencies and artistic courage. As a crime reporter in New York in the 20s, as a hobo in the 30s, as a GI in World War II, as a novelist, screenwriter and director of noir and war movies ("Pickup on South Street," "House of Bamboo," "The Big Red One"), Fuller was a force of nature, a no-BS realist who knew how to tell a story. The photo on the back cover speaks volumes: raised pistol in one hand; a camera lens in the other. Yet he was, at core, a powerful pacifist. He was a survivor.

Fuller's style is profane, anecdotal, street wise and hugely engaging. It's no wonder, since he was the young protege and buddy of hard-boiled writers like Gene Fowler and Damon Runyon.

Fuller's account of his "dogface" years as a G.I. in North Africa, Italy, France and Germany is one of the best descriptions of WWII Army life I've read.

Later, Hollywood studios offered him big money to make their blockbusters ("The Longest Day," "Patton"), but he turned them down so he could make little movies his own way. ("I make A movies on B budgets," he liked to say.)

Out of curiosity,I recently rented a couple of his movies. "Pickup on South Street," with Richard Widmark and Jean Peters, just crackled. "Shock Corridor," with Peter Breck, was ambitious but flawed.

Though I can't wait to see some of his other films, my hunch is "A Third Face" will stand as Fuller's single greatest artistic achievement.

In later years, Fuller became mentor to many young directors: Jonathan Demme; Tim Robbins; Jim Jarmusch, Martin Scorsese. It's clear from Scorsese's introduction that they idolized him.

As a writer, Sam Fuller teaches this lesson: Write fast; never give up; to hell with the naysayers. His final two or three paragraphs offers a capstone philosophy that all should embrace.

I loved this book. It saddens me to finish it.

Inherently fascinating reading for film buffs.......2004-06-06

A Third Face: My Tale Of Writing, Fighting, And Filmmaking by Samuel Fuller (with the posthumous and collaborative assistance of his wife Christa Lang Fuller and longtime friend Jerome Henry Rudes) features a Foreword by Martin Scorsese and and presents the reader with an autobiographical account of one of Hollywood's most prolific and independent writer/director/producers. The late Samuel Fuller (1911-1997) made 29 tough, gritty films from 1949 to 1989. His film "Park Row" was inspired by his years in the New York newspaper business. His years of service in the army during World War II provided material for his films "The Big Red One", "The Steel Helmet", and "Merrill's Marauders. From "Pickup on South Street" and "Underworld U.S.A.", to "Shock Corridor" and White Dog", A Third Face provides the story behind the films and the man who created them. A Third Face is highly recommended and inherently fascinating reading for film buffs and students of 20th Century American Cinema.

A Third Face: My Tale of Writing, Fighting, and Filmmaking. (Book Reviews).(Book Review): An article from: Cineaste

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A Third Face: My Tale of Writing, Fighting, and Filmmaking. (Book Reviews).(Book Review): An article from: Cineaste
Bill Krohn
Manufacturer: Cineaste Publishers, Inc.
ProductGroup: Book
Binding: Digital

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ASIN: B0008DPH0C
Release Date: 2005-07-31

Book Description

This digital document is an article from Cineaste, published by Cineaste Publishers, Inc. on June 22, 2003. The length of the article is 1348 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: A Third Face: My Tale of Writing, Fighting, and Filmmaking. (Book Reviews).(Book Review)
Author: Bill Krohn
Publication: Cineaste (Magazine/Journal)
Date: June 22, 2003
Publisher: Cineaste Publishers, Inc.
Volume: 28 Issue: 3 Page: 55(3)

Article Type: Book Review

Distributed by Thomson Gale

Book Description

Elizabeth I is perhaps the most visible woman in early modern Europe, yet little attention has been paid to what she said about the difficulties of constructing her power in a patriarchal society. This revisionist study examines her struggle for authority through the representation of her female body. Based on a variety of extant historical and literary materials, Frye's interpretation focuses on three representational crises spaced fifteen years apart: the London coronation of 1559, the Kenilworth entertainments of 1575, and the publication of The Faerie Queene in 1590. In ways which varied with social class and historical circumstance, the London merchants, the members of the Protestant faction, courtly artists, and artful courtiers all sought to stabilize their own gendered identities by constructing the queen within the "natural" definitions of the feminine as passive and weak. Elizabeth fought back, acting as a discursive agent by crossing, and thus disrupting, these definitions. She and those closely identified with her interests evolved a number of strategies through which to express her political control in terms of the ownership of her body, including her elaborate iconography and a mythic biography upon which most accounts of Elizabeth's life have been based. The more authoritative her image became, the more vigorously it was contested in a process which this study examines and consciously perpetuates.

Customer Reviews:

An exciting look at Elizabeth's courtiers as critics........2000-11-15

Frye's study of Elizabeth's struggle to control her iconography and representation is very powerful. She discusses three major events in the course of Elizabeth's reign, and how merchants, courtiers and poets represented Elizabeth through them: praising her glory and virtue, yet simultaneously taking the critical liberties of a patriarchal society over a woman.

Frye's third chapter on "Engendered Violence" is especially revealing, whether or not we can fully accept the extremity of such criticism in the character of Britomart in Spenser's Faerie Queene.

Book Description

This digital document is an article from Renaissance Quarterly, published by Renaissance Society of America on December 22, 1995. The length of the article is 856 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Elizabeth I: The Competition for Representation.
Author: Theodora A. Jankowski
Publication: Renaissance Quarterly (Refereed)
Date: December 22, 1995
Publisher: Renaissance Society of America
Volume: v48 Issue: n4 Page: p918(3)

Article Type: Book Review

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Elizabeth I : The Competition for Representation

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Elizabeth I : The Competition for Representation
Susan Frye
Manufacturer: NY
ProductGroup: Book
Binding: Paperback
ASIN: B000MUICPI

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Elizabeth I: the Competition for Representation.
Susan. Frye
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback
ASIN: B000OKLHY4

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