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The color dictionary of shrubs
S. Millar Gault
Manufacturer: Crown Publishers
ProductGroup: Book
Binding: Hardcover
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ASIN: 051752158X |
Book Description
Geography is a mirror: every nation sees itself in its natural places. Here are a naturalist-photographer's most beautiful faces: These are Andrés Hurtado Garcia's best images of a half-century of looking intensely at the land that is Colombia; a wilderness tour that includes close photographic details like cryptic aboriginal hyeroglyphics on giant rocks as well as sweeping views of the alta montana. Hurtado is a South American Edward Weston, a self-taught, nomadic photographer. Here are the most exciting places he has discovered in decades of wandering: hidden beaches, remote lakes, and unnamed volcanic craters; the little-explored rivers of the Amazon; seductive landscapes of the Orinico. Naturalists and travelers will discover here a South America only Hurtado knows intimately: photographs that capture all the seductive landscapes of Colombia
Customer Reviews:
Absolutely Beautiful.......2006-10-05
Colombia's beauty is exposed at its most: mountains, rivers, deserts, forests... its varied ecosystems -- from the rich tropical rainforest to the coastal cloud forests to the open savannas.
Great view of Colombia.......2005-07-28
Living in Colombia for a year I found this book to show areas of Colombia I have seen and then some. It is one if not the most beautiful country in the world. Colombia has a bad rep, don't let the American press fool you, look at this book and let it be the start of your search for the real Colombia, one of passions, diversity and paridise. The stories go well with the pictures to paint a picture that can draw one in.
Book Description
This digital document is an article from Canadian Journal of History, published by University of Saskatchewan on August 1, 2002. The length of the article is 1333 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: A Nation for All: Race, Inequality, and Politics in Twentieth Century Cuba.(State and Revolution in Cuba: Mass Mobilization and Political Change, 1920-1940,)(Book Review)
Author: Stephen J. Randall
Publication:
Canadian Journal of History (Refereed)
Date: August 1, 2002
Publisher: University of Saskatchewan
Volume: 37
Issue: 2
Page: 398(3)
Article Type: Book Review
Distributed by Thomson Gale
Book Description
Stochastic local search (SLS) algorithms are among the most prominent and successful techniques for solving computationally difficult problems in many areas of computer science and operations research, including propositional satisfiability, constraint satisfaction, routing, and scheduling. SLS algorithms have also become increasingly popular for solving challenging combinatorial problems in many application areas, such as e-commerce and bioinformatics.
Hoos and Stützle offer the first systematic and unified treatment of SLS algorithms. In this groundbreaking new book, they examine the general concepts and specific instances of SLS algorithms and carefully consider their development, analysis and application. The discussion focuses on the most successful SLS methods and explores their underlying principles, properties, and features. This book gives hands-on experience with some of the most widely used search techniques, and provides readers with the necessary understanding and skills to use this powerful tool.
*Provides the first unified view of the field.
*Offers an extensive review of state-of-the-art stochastic local search algorithms and their applications.
*Presents and applies an advanced empirical methodology for analyzing the behavior of SLS algorithms.
*A companion website offers lecture slides as well as source code and Java applets for exploring and demonstrating SLS algorithms.
Customer Reviews:
The First Complete Solution.......2004-11-25
The Travelling Salesman Problem (more politically correctly called the Travelling Salesperson Problem)(How about we call it the TSP?) is a common real world problem. The problem is simplely stated: How do you find the shortest path for a travelling sales_____ to drive as he visits a series of customers.
If you're just running a few errands it's easy enough. If you're going to the supermarket, the post office, the dry cleaners, and the gas station, it's pretty easy to determine the shortest path. But then you add constraints, nearly out of gas, go to gas station first. Buying ice cream at the super market, better make it the last stop.
This is a real world problem. It is faced every day by delivery companies like the post office and air freight companies who spend huge amounts of fuel flying jet freighters around the world -- where do you put a hub, how do you schedule everything to come together.
FedEx solved this problem by running everything through Memphis. This works really well for a package going from New York to LA. It works less well for a package going from Manhattan to the Bronx. And if the package is going from London to Manchester ....
The computation of this and similar problems fall into the general category of Stochastic Local Search. And this book is the first to offer a systematic and unified treatment of SLS. Before this there were a series of technical papers, magazine articles and chapters in more general texts. The book provides the first unified view of the entire field and offers an extensive review of state-of-the-art algorithms and their applications. A companion website offers lecture slides as well as source code and Java applets for exploring and demonstrating the algorithms.
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Stochastic Algorithms: Foundations and Applications: 4th International Symposium, SAGA 2007, Zurich, Switzerland, September 13-14, 2007, Proceedings (Lecture Notes in Computer Science)
Manufacturer: Springer
ProductGroup: Book
Binding: Paperback
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ASIN: 3540748709 |
Book Description
This book constitutes the refereed proceedings of the 4th International Symposium on Stochastic Algorithms: Foundations and Applications, SAGA 2007, held in Zurich, Switzerland, in September 2007.
The 9 revised full papers and 5 invoted papers presented were carefully reviewed and selected out of 31 submissions for inclusion in the book. The contributed papers included in this volume cover both theoretical as well as applied aspects of stochastic computations whith a special focus on investigating the power of randomization in algorithmics.
Book Description
This digital document is a journal article from European Journal of Operational Research, published by Elsevier in 2006. The article is delivered in HTML format and is available in your Amazon.com Media Library immediately after purchase. You can view it with any web browser.
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La Arquitectura del Islam Occidental
Rafael Lopez Guzman
Manufacturer: Legado Andalusi
ProductGroup: Book
Binding: Paperback
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ASIN: 8477823375 |
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- Watch John Barrymore in RICHARD III and HAMLET
- Hard Work Pays Off
- Inspiring & Heartbreaking
- A stunning overview of an American legend.
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John Barrymore, Shakespearean Actor (Cambridge Studies in American Theatre and Drama)
Michael A. Morrison
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Paperback
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Ernst Lubitsch's Eternal Love
ASIN: 0521629799 |
Amazon.com
Toward the end of his life, master actor John Barrymore became an embarrassment: he was a classic drunken has-been who could neither pull it together nor pack it in. But this unusual biography spends most of its pages on Barrymore's golden age in the 1920s and 1930s, describing in amazing pre-videotape detail his performances at the height of his powers, playing what may be the 20th century's definitive Hamlet, along with Macbeth and other classical roles. Michael Morrison draws on books, memories, reviews, and other material to present painstaking line-by-line recreations of Barrymore's most shining performances.
Book Description
John Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-23 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book situates Barrymore's distinctive contribution in light of past and ensuing tradition. As well, it provides a biographical sketch of one of the most revered and tragic actors of the twentieth century. "This young artist, profiting by the lessons of tradition...casts it boldly aside and emerges into the rarefied atmosphere of a new art, greater because it is new, stronger because it is built upon an old foundation." Brooklyn Times, March 9, 1920
Customer Reviews:
Watch John Barrymore in RICHARD III and HAMLET .......2006-01-05
Michael Morrison is THE Barrymore biographer who has done his homework: he spent nine years writing his book, compiled a host of new material and achieves a revival, nay, a resurrection! John Barrymore's RICHARDIII and HAMLET live! Not on celluloid, but they are among the most fully documented stage performances of the twentieth century. There are countless photos, reviews, promptbooks, letters, interviews. Morrison's reconstruction of RICHARDIII is based on Barrymore's recording, a film scene and a radio broadcast of the play. Barrymore made private recordings for nearly every scene of HAMLET. When he made his "streamlined Shakespeare" broadcasts in 1937 his technique had eroded, but he retained the patterns he had established while studying for the role. Even in 1933 when he made his HAMLET screen test his voice had a youthful timbre and his readings are subtle and powerful. Morrison put the puzzle together and is able to determine which syllables Barrymore stressed, when he spoke harsher, quicker, higher, colder, sarcastic or ironic, when he pauses, whispers, jumps up, fondles or slaps his leading lady - virtually every word and inflection is documented!
John Barrymore was the greatest American stage-actor of the twentieth century, His Shakespeare performances two of the most significant events in the history of the modern stage. They made formidable impact on the post-WWI generation, like Picasso's paintings and Strawinsky's music. He was the first to reinterpret time-honored roles in the light of Freud's psychological theory.
Before 1915 he was a clever comedian, a matinee-idol and a colorful figure in New York's high life. He tended to bohemianism and nocturnal adventures and lacked discipline. But he was ingratiating and his sparkling wit and physical attractiveness mollified even indignant producers. The failure of his first marriage and his friendship to playwright Edward Sheldon made him "reinvent" himself. His harrowing portrayal of a clerk who forges a check to rescue a woman from her abusive husband in Galsworthy's JUSTICE was hailed as epochal Broadway event. The audience found him "electrifying" in the jail-scene, where he was subjected to dehumanizing conditions. His "refined, sensitive, dreamy" PETER IBBETSON was a WWI hit, with its theme of love transcending separation and death. In Tolstoi's REDEMPTION Barrymore proved a "treasure mine" for producer Arthur Hopkins and THE JEST was a sensation: his character's sensuality was an irresistible lure to sexually liberated post-war audiences.
The idea to play RICHARDIII came when he observed a "sinister" red tarantula at the Bronx zoo. Barrymore, who admired the macabre & bizarre portrayed the wretched king with ironic humor and malevolent intensity. Margaret Carrington, his vocal coach, was impressed by his dedication and critics praised the ardent love-scene with Richard as "misunderstood saint" who sits on the throne "like an obscene condor meditating the death of the princes". They concluded that Barrymore had "jazzed up" Shakespeare to the point of real popularity, but Robert Edmond Jones commented: "It's abnormal. It isn't human to drive yourself like that". Sometimes his armor grew so hot that he was "grilled" and his affair with poetess "Michael Strange" was tempestous overwork. After less than 4 weeks the actor suffered a nervous breakdown and entered a sanitarium.
He survived the flop of CLAIR DE LUNE, a pretentious play that his wife wrote especially for him and worked again with Carrington - who hired her fourteen years old niece as chaperone (he behaved well). The description of his epoch-making HAMLET is is the core of Morrison's book.
John Barrymore was the first Hamlet with an Oedipus complex. His biographers agree that his stepmother's sexual abuse may have been the source of his conception of Hamlet as incestuous prince. His Hamlet is "manly, more sexual and menacing than the "sweet prince" of Victorian tradition. His Hamlet's "frank sexuality" shocked his partners. When he took the production to London he demanded a "lecherous court", "drunken orgies" and "half-bare bosoms" (His language was always colorful). He broke Edwin Booth's record of 100 consecutive performances. Most critics were enthusiastic, few superlatives were spared. Shaw criticized his cuts, but Laurence Olivier found: "When he was on stage the sun came out".
Soon Barrymore relapsed into his old humdrum way: drinking champagne, playing pranks - and then he threw his role away because he wanted to join his wife in Paris...Morrison dedicates the last chapter to Barrymore's Hollywood career: His mythic intemperance, disregard for his own well-being, his efforts to honor his monumental debts with the play MY DEAR CHILDREN ("A peep-show! a spiritual striptease with Gypsy Rose John!") and his self-parody on the Rudy-Vallee-show. A title-card in THE BELOVED ROGUE (1927) says: "One must sorrow that a man of such genius should be a drunken clown".
Hard Work Pays Off.......2000-06-04
This is one of the best books ever written on the performing arts. By focusing in on Barrymore's Shakespearean acting only, Morrison manages to show how a second-rate light comedian turned himself into a great artist by sheer hard work -- and then, horrifyingly, how an artist transformed himself into a clown through laziness and dissipation. Through the use of the actor's playbooks and impressive research, Morrison does the impossible and brings Barrymore's stage performances as Richard III and Hamlet so vividly alive you'll swear you're in the theater watching them (I was holding my breath at the end of "Hamlet"). Along the way there are vivid portraits of the idealistic, progressive theater in the 1920's and, a decade later, the ancestry of today's poisonous and envious celebrity culture. Once you read this book you'll never look at Barrymore the same way again.
Inspiring & Heartbreaking.......1999-11-25
Michael Morrison's book fills a much needed gap in the large Barrymore biographical canon: it tells the story of Barrymore the artist. Many of the other great biographies of the man and family (Margot Peter's THE HOUSE OF BARRYMORE, anything by James Kotsilibas-Davis, to name only two of many excellent others) understandably short-shrift the details found here, in favor of the fabulous "bon mots" and the large tragic arc of his life. Morrison, if it's possible to believe, makes that tragedy all the more heartbreaking by detailing the hard work that Barrymore put himself through to transform himself from a light comedian into the greatest tragic actor of his generation - and arguably the last great tragic actor of the American theatre.
The detailed recreations of Barrymore's acting in RICHARD III and HAMLET are facinating. They provide all of us who have come after some small picture of what it must have been like to actually see him on stage. It helps, I suppose, to be familiar with his film work, to have heard at least some of his Shakespearean recordings, in order to fully visualize Barrymore's "flashing, rapier" genius at work - but it's probably not necessary. A must for all Barrymore fans, actors, and theatre lovers, this book is a treasure. But beware, its story could break your heart.
A stunning overview of an American legend........1998-01-09
Michael Morrison has provided us with a stirring portrait of one of America's greatest actors, John Barrymore. His book is a vivid account of Barrymore's innovative approach to Shakespearean acting and subsequent rise to fame. This book is required reading for Shakespearean scholars and Barrymore enthusiasts alike.
Book Description
This digital document is an article from Yearbook of English Studies, published by Modern Humanities Research Association on January 1, 2001. The length of the article is 1105 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth and John Barrymore: Shakespearean Actor. (book review)
Author: Diana Devlin
Publication:
Yearbook of English Studies (Magazine/Journal)
Date: January 1, 2001
Publisher: Modern Humanities Research Association
Page: 279
Article Type: Book Review
Distributed by Thomson Gale
Book Description
This book deals with the thought of William Harrison, a well-known Elizabethan intellectual, whose ideas are significant chiefly because they are often representative of the thoroughgoing Protestantism which adapted continental reformed ideas to the circumstances of Tudor England. The book explains how the mentality of Harrison, a university-trained Protestant, reveals a coherent worldview based upon a particular view of history which he applied to many areas of contemporary concern: the complete reformation of the church, the improvement of society, the removal of economic injustice, the reorientation of practical life and the restraint of the dangerous speculation current in natural philosophy. Dr Parry draws upon a unique and previously unknown manuscript source, Harrison’s interpretation of world history, which provides unusually detailed information about how one individual interpreted the world.
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This book deals with the thought of William Harrison, a well-known Elizabethan intellectual, whose ideas are significant chiefly because they are often representative of the thoroughgoing Protestantism which adapted continental reformed ideas to the circumstances of Tudor England. The book explains how the mentality of Harrison, a university-trained Protestant, reveals a coherent worldview based upon a particular view of history which he applied to many areas of contemporary concern: the complete reformation of the church, the improvement of society, the removal of economic injustice, the reorientation of practical life and the restraint of the dangerous speculation current in natural philosophy. Dr Parry draws upon a unique and previously unknown manuscript source, Harrison's interpretation of world history, which provides unusually detailed information about how one individual interpreted the world.
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