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Directory III Administrative Officials 2002 (CSG STATE DIRECTORY III: ADMINISTRATIVE OFFICIALS)
CSG
Manufacturer: Council of State Governments
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Binding: Paperback
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ASIN: 0872928918 |
Book Description
When, as a young man in the 1880s, Benjamin Lundy signed up for unimaginably hard duty aboard a square-rigged commercial sailing vessel -- one destined for a treacherous, white-knuckle passage round that notorious "graveyard of ships," Cape Horn -- he had no idea that his experience would also provide a window into an epochal transition that would fundamentally change a man's relation to the sea.
The Way of a Ship is a mesmerizing account of Benjamin's life on board the square-rigger Beara Head. It evokes both the romance and brutality of that bygone era and illuminates the history of square-rigger seamen and the last days of the "beautiful, widow-making, deep-sea" sailing ships. Derek Lundy's masterful account of his forebear's journey reminds readers what Melville and Conrad expressed so well: that the sea voyage is an overarching metaphor for life itself.
Read by Richard Easton.
Customer Reviews:
A Good Combination of Fiction and History.......2006-06-19
I find it curious that some readers found this book wanting. I would admit it had its slow times, but over all I was very impressed.
Besides a reasonable story line of the fictional voyage, the author had lots of the sea history of steam vs. sail, rounding the "Horn", navigating, scurvy, etc. I liked it all and appreciated the author's connection with long-lost relatives.
My recommendation: if you like "fictional history" from that era this is a good choice.
Fake stuff - why not read the real .......2006-02-07
This is made-up fake stuff by a wanna-be. Why not read the real - try Marryat's "Mr Midshipman Easy", etc. Marryat joined the Royal Navy in 1806 (yes 18) and fought against the French in the Med. He wrote this book in 1836 (yes 18) - it and other sources were used by Forrester to create the Hornblower character. Read this book and compare situations to the early Hornblower actions - like identical.
368 Pages.......2005-07-27
But only about 240 if you remove all of the quotes from Conrad, Dana, Mehlville, etc.
Truly a letdown.
Them was the days.......2005-06-11
"Them was the days, sonnies,
"Them was the men,
"Them was the ships,
"As we'll never see again."
(From the book)
This book is the author's imagined account of his grand-uncle's voyage as a crewman on the "Beara Head," a four-masted barque sailing around Cape Horn from Liverpool to Varparaiso, South America, in the 1880's. The author creates an engaging narrative of characters and things that may or may not have happened on the voyage, based on log information and what is known about the trip. Interspersed are chapters with general background material on the ships, history, and difficulties of the time.
I found this a very engaging read, and when I had finished it I was wishing for more. The life of a seaman in those days was truly harsh, a life of constant misery and hardship. The men live on short rations, long hours, little or no sleep, constant cold and damp, battling storm after storm, climbing up in the masts 160 feet above the rolling deck to deal with canvas sails weighing hundreds of pounds. Some men get their fingernails pulled out, some fall to their deaths in the sea, never to be seen again, and some live on to see the next port and another voyage.
If you are interested in sailing ships and stories of the sea, you will like this book.
the way of a ship.......2004-03-09
i didnt even get through the prologue when i found a poorly researched item,very jarring.then later on i find another .it kind of makes you wonder how well mr lundy does his research.
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The Way of a Ship CD SP: A Square-Rigger Voyage in the Last Days of Sail
Derek Lundy
Manufacturer: HarperAudio
ProductGroup: Book
Binding: Audio CD
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ASIN: 0060743689 |
Book Description
The focus of the book is on chapters 11, 12, and 13 of the Internal Revenue Code. Discusses selected income tax issues, but only in contrast with, or as an adjunct to, a discussion of the estate and gift tax treatment of those issues. This book is not an estate planning book or a comprehensive guide to the federal tax implications of all gratuitous transfers. Contains sections on deductions and credits and on the generation skipping transfer.
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Retail Auditing: A Practitioner's Guide
Leo F. Griffin
Manufacturer: John Wiley & Sons Inc
ProductGroup: Book
Binding: Hardcover
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ASIN: 0471146188 |
Book Description
This book represents a practitioner's effort to address the audit and control concerns of those individuals in the retail environment who are directly or indirectly responsible for such matters. It defines and explain the essential internal and management controls that are appropriate for a retail environment, including each specific retail business cycle. Attention is given to the identification and nature of the business risks and exposures in transactions unique to the retail industry. In addition, it provides technical information and concepts that are critical in developing and implementing approaches that focus on the high risk areas, as well as the most important retail business issues. In conclusion, this book provides the reader with a certain conceptual background and practical approach to adequately address the financial and operational control concerns pertinent to the retail environment.
Book Description
Cast iron cookware is an increasingly hot item in the antique marketplace. Collectors are scouring antique shops, shows, and flea markets searching for treasures to add to their collections; and hunting for more information about the products history and manufacturers. In response to this growing demand, David Smith and Chuck Wafford have created another authoritative guide to collectible cast iron. This book continues where The Book of Griswold & Wagner left off--illustrating hundreds of items not included in the previous book. With over 845 photographs of cast iron pieces from the Wagner, Griswold, Lodge, Vollrath, Excelsior, and Martin manufacturing companies, this book delves into the histories and products produced by these manufacturers. Complete with pattern numbers, catalog list numbers, price guide, index, and much more; this book is a must-have for all cast iron cookware collectors.
Customer Reviews:
The Second Cast Iron Collecting Book You Should Buy.......2005-12-22
This is the second book you should buy if you have any interest in collecting classic American cast iron goods. Collectors call this the "Red Book". The first book, "The Book of Griswold & Wagner", is called the "Blue Book", although it looks kind of turquoise to me, and is by the same authors. This edition, with a copyright of 2001, is getting a little out of date for catalog values, but still is a good indicator of relative value. It covers Wagner, Griswold, Martin, Lodge, Vollrath, and Excelsior. There is little duplication between the Red and Blue books, but together they are just a treasure chest of good clear photogrpahs and information that is not available anywhere else. The author is active in the major collecting societies and solicits information, including photographs and corrections, as each edition is prepared. (As an aside, it's hard to comprehend how someone could be critical of a book full of pictures and descriptions of collectable iron.)
It is really unfair to be critical of the catalogs values in such a work. They are useful in determining relative value and rarity, but the current marketplace must looked at to get the best indicators of value.
Bible #2 for cast iron collectors.......2005-12-22
Unlike steve (ca) review, this book is considered the second book that all cast iron collectors must have. While some discrepancy on some values in the book may be present, values on most items are completely accurate. It is unfortunate that the other review destroys the credibility of this fine book. The "RED" book is the most complete and accurate book on the market for Wagner Ware collectors. This book and the "BLUE" book should be in every serious cast iron collector's resource library.
No excuse to not adjust errors in pricing, years later........2005-02-14
Both this book and the "blue" book mislead readers by listing "price values" that are blatently low,-on the very uncommon items listed, even though the pricing errors were brought to both author's attention years ago. Many revisions later, they remain for the most part unchanged.
Shame on them.
I don't recommend.......2003-08-08
If you like collections of photos, this book is great ... Hollow.
Lots and lots of good information!.......2001-03-26
This new book by the authors Smith and Wafford picks up where the old "blue" book stops. This book contains practically all new pictures and items which were not in the old book. Based on the title "The Book of Wagner & Griswold" the majority of the book contains information about Wagner. There is 124 pages which deal with Wagner Ware. The information contained is solid and not to be found anywhere else. Once again, this book becomes the Bible for collecting old cookware. The information on Griswold is not nearly as as long as Wagner. It is only 75 pages. There are many new items in this book which was not in the other books. There is quite a bit of information about aluminum Griswold items which is very helpful if you are collecting this type of cookware. Finally the sections on Martin Stove, Lodge, Axford, Vollrath and Excelsior(G.F.Filley) is great! For each manufacture it gives the history along with photo's/prices. Super information which I have not found anywhere else. I think this book is a "must have" for the cookware collector. It is a good companion book to "The Book of Griswold & Wagner." To be fully informed you really need both books. I have found these books by Smith and Wafford to be pretty close in the values of various items. Although variances do exist I have found these to be the closest out of all the cast iron collectable books available. I keep both of these books next to my computer and refer to them almost daily when shopping the internet for cast iron. A++++
Book Description
A Victorian milliner's shop contained within a hat box... a fairy house conjured up in a hollow log. Create these enchanting scenes in amazing detail, using nothing but everyday containers, basic tools and readily available materials. "Whether you're a compulsive maker of dolls' house miniatures or a fascinated beginner, this book is for you." --Home & Country
Customer Reviews:
Miniature Worlds Delivers In A Big Way!.......2001-12-25
Susan & Martin Penny have written a fun book that is chuck full of projects for do-it-yourselfers. They show how to create miniature items from inexpensive materials (craft sticks, aida cloth, beads, pins, paper, clay, etc.), and/or things you might normally throw away (bottle caps, coffee stirrers, aluminum foil pie plates, etc). There is a wide range of projects, including a tea room inside an old teapot, a ladies hat & accessories store inside a hatbox, a whimsical fairy dwelling (made with twigs, dried cones, and other interesting things you may find in your backyard or the woods). There is also a wizard's room depicting an open book, which serves as the walls of the castle where the wizard lives. This is a book that will pay for itself in no time at all with the money you save by making your own accessories. It's a must for the DIY-er and I highly recommend it!
Miniature Worlds in 1/12 scale.......2000-04-18
I have made doll houses and miniature furniture and have used unusal things to create the furniture and furnishings. I borrowed this book from the library and couldn't put it down. Couldn't wait to get started and wasn't happy about having to return it to the library. I found so many inexpensive easy ways to create so many things to add to the doll houses. I couldn't wait until Mother's Day to get it as a gift. Went right to Amazon.com to get it NOW. Didn't even want to search in the stores. Thank you Amazon.com for having this available!
Book Description
The antebellum era and the close of the 19th century frame a period of great agricultural expansion. During this time, farmhouse plans designed by rural men and women regularly appeared in the flourishing Northern farm journals. This book analyzes these vital indicators of the work patterns, social interactions, and cultural values of the farm families of the time. Examining several hundred owner-designed plans, McMurry shows the ingenious ways in which "progressive" rural Americans designed farmhouses in keeping with their visions of a dynamic, reformed rural culture. From designs for efficient work spaces to a concern for self-contained rooms for adolescent children, this fascinating story of the evolution of progressive farmers' homes sheds new light on rural America's efforts to adapt to major changes brought by industrialization, urbanization, the consolidation of capitalist agriculture, and the rise of the consumer society.
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When Your Child Is Deaf: A Guide for Parents
David Luterman , and
Mark Ross
Manufacturer: York Pr
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Choices in Deafness: A Parents' Guide to Communication Options
ASIN: 0912752270 |
Amazon.com
The conclusion to David Cairns's epic biography of Hector Berlioz has been eagerly awaited ever since the first volume, Berlioz: The Making of an Artist, appeared in 1989. With an achievement as massive as that highly praised volume, part of the tension of waiting for the follow-up involves wondering whether Cairns can capture again the sweep, the vividness, and the power of his first book. But he has managed to do exactly that.
Cairns picks up the story at the time of Berlioz's marriage to Harriet Smithson in 1833, with whom he had been obsessively infatuated for so long. It's a mournful story, with her alcoholism, their separation in 1844, and her premature death in 1854. Cairns links the vicissitudes of Berlioz's own life directly with his music: the composition of La Mort d'Ophélie marks the symbolic end of their marriage. "The elegiac significance of this infinitely sad melody would be hard to miss." Cairns writes sensitively and evocatively about Berlioz's music, and one of the central pillars of this second volume is a compelling defense of the composer's Les Troyens (1856), his much-maligned and chopped-about operatic masterpiece. Critics of the day were not kind: "so vulgar, so badly designed and so distorted with impossible modulations that one would take it to be the music of a deaf man," said one. There were many cartoons, which Cairns reprints, along the lines of "new method of killing cattle to be introduced at all slaughterhouses," in which an ox is pictured felled by having The Trojans played to it through a large tuba. But Cairns convincingly demonstrates just how far ahead of his time Berlioz was and how heroic was his struggle to have this titanic opera performed and accepted in the teeth of persistent obstacles. It is Cairns's opinion that Berlioz, "like the biblical man, was born to trouble as the sparks fly upwards." His biography follows the tragedies and the triumphs of this larger-than-life individual with a narrative force as gripping as a good novel. --Adam Roberts
Book Description
This biography of composer Hector Berlioz (1803-1869) describes with unprecedented intimacy, affection, and respect the life of one of France's greatest artists. After long being regarded as an oddity and an eccentric figure, Berlioz is now being accepted into the ranks of the great composers. Based on a wealth of previously unpublished sources, and on a profound understanding of the humanity of his subject, David Cairns's book provides a full account of this extraordinary and powerfully attractive man.
Volume II follows Berlioz's life from 1832 to his death in 1869, his most active years as a composer, conductor, and critic. This volume provides telling portraits of those close to Berlioz: his two wives, his son and his sisters, his friends and colleagues, fellow composers and critics. Cairns vividly evokes Berlioz's music and the music-making world of nineteenth-century Paris. Volume II also includes chapters on Wagner, Berlioz's career as a critic, the composer's concert tours in Germany, Russia, and England, and much more.
Customer Reviews:
The last word on Berlioz?.......2006-03-15
50 years ago, two ambitious young British musicians became aware of the neglected genius of Berlioz. At that time, only the Symphonie Fantastique, the Carnaval Romain overture and three Faust pieces were performed in concerts. Harold, some excerpts from Romeo and one or two other items were available on 78 recordings. The Requiem, the Trojans, Benvenuto Cellini gathered dust: extravagent eccentricities, probably unperformable and certainly uncommercial. The end of the century saw the climax of the Berlioz revival and of the careers of Sir Colin Davis and David Cairns. The publication of the long-awaited second volume of Cairns' biography coincided with the start of Davis's final great cycle of performances. All Berlioz's works are now widely known. Even his early mass has been rediscovered, performed and recorded. LPs. tapes and now CDs have familiarised us with Berlioz, as with many other neglected composers. But much credit of course goes to Davis, the great interpreter and to Cairns, the untiring propagandist and critic, now the author of the great biography.
It is a remarkable biography. Berlioz at last stands before us as a living man: a son, a husband, a father; a great artist, but also a gentleman, a man of great moral strength. Not only Berlioz:perhaps the greatest revelation of the book is the real Harriet. Only Marie Recio remains elusive.
All Berlioz lovers will buy this book and treasure it. Yet it is not the last word. For Cairns' purpose is to place Berlioz: to put him firmly where he should belong, in a musical tradition which starts with medieval plainsong and is has been represented in the 20th century by Stravinsky, Britten Messiaen... How could he do otherwise? David Cairns is an establishment music critic. And yet to write in Volume One of Berlioz as 'the greatest French composer between Rameau and Debussy'! Is London only the greatest city between Dover and Milton Keynes? Cairns has shown us Berlioz the man. Berlioz the composer is much more: he is still our great contemporary, for no one who has followed can be compared with him.
A massive treatise, seldom dull, often enlightening.......2002-09-22
I bought this book in July and am still reading it, though I am now more than halfway through it. Like any biography of this size, Cairns occasionally runs into the "and then he wrote....and then he played..." syndrome, and to be honest, after a while each struggle to pull together an orchestra and interest an audience reads like each previous instance. On the other hand, it dispels many myths about Berlioz and his acceptance in his time, among them the fact that he never really stopped loving Harriet or her artistic soul even after her descent into alcoholism, delusions and strokes. It also shows that Berlioz did indeed have his champions, even in Paris where he also had enemies, based solely on the fact that his music was multi-rhythmic and therefore hard to follow! Among the many champions of his music were the Germans, Austrians and Russians, but especially the Hungarians and British, who heard and appreciated the great and wonderful things in his music.
The person one feels sorriest for is his son Louis, born into a marriage that Berlioz' father and sisters opposed, sent to boarding school when his mother descended into alcoholism and madness, seldom receiving the bonding love of his all-too-busy father. We also learn that Berlioz purposely suppressed inspirations to compose symphonies because he couldn't afford to perform them, and he wanted to use the money to help set up his son as a sailor.
Best of all, however, we get a VERY realistic glimpse into the performing world of the early-to-late 19th century, in which composers had to foot the bill for the performance (and copying) of their own works, playing to half-filled houses and often losing money on their ventures. We also learn of the strengths and weaknesses of the various musical centers of Europe, particularly the weaknesses, so much so that the composer often deleted movements from his symphonies and masses because the performers could not play them correctly. Thus the "golden age" of the Romantic era is dispelled as a myth propagated by rumor and hearsay. The reality is far less sunny, making us realize that even then art music struggled to find an audience and be appreciated.
Most of all, one suffers along with Berlioz, feels his angst and anguish as he struggles time and again to establish and re-establish himself in the face of organized, official opposition. Yes, there were critics and audiences who did recognize his genius and love his music, cruel reviews and nasty caricatures to the contrary, and this acceptance was much more widespread among lay listeners than we have been led to believe. Berlioz was cheered, mobbed and loved by practically every European culture center EXCEPT Paris, and even there he had his partisans....just never enough to keep him afloat financially or help him get his music produced.
If you love classical music and enjoy Berlioz, this is a recommended read.....just go slowly, don't try to speed-read through it, and you will get a lot more out of it.
Berlioz finally gets the royal treatment he deserves!.......2000-05-02
As a dedicated Berliozian since my teens, I've read several biographies on him in both English and French, but nothing comes close to David Cairns' exhaustive (but never exhausting) treatment, not even Jacques Barzun's now-classic treatment which helped to ignite the Berlioz revival decades ago. Part of the reason is the author's style--consistently engaging without ever becoming weighed down by boring detail. Cairns has a way of enlisting the reader's sympathies not only for Berlioz himself but also for his wife Harriet Smithson and his son Louis as well as his friends like Paganini and Liszt who fostered his career. These are all well-rounded portraits of some of the most prominent figures of an immensely eciting period of musical history. Most of all, one gets an indelible impression of Berlioz not only as a musical genius but even more as a brilliant writer. His letters, hundreds of which are fully quoted, reveal him as a man passionately dedicated the cause of great music and willing to express his honest convictions regardless of the opposition of the the crowd of mediocrities who had turned the Parisian musical environment into a haven for everything meretricious. It is sad to read of the success of such minitalent as Adolphe Adam , Auber and Thomas while Berlioz, the greatest French musician of his time (or perhaps the Greatest French musician, period) was forced to earn his living as a critic. If this book has any drawbacks, it is in the relatively little space devoted to discussion of the music itself. What the author does write about Berlioz's works is so insightful that it leaves me wishing for more--a lot more. This is especially true of Les Troyens. A vast opera such as this cannot be adequately discussed in a few paragraphs. But, admittedly, this is a biography, not a work of musical analysis. I'm grateful for what we have--a vivid portrait of a musical genius who really come alive as never before in these pages. Berlioz was incapable of writing a dull page. His letters are full of vivid imagery--metaphors and similes that paint the picture or express the thought memorably. My favorite example is, I am afraid, one that shows the caustic side of the man: Describing the singing of his mistress--later his wife--Marie Recio, he wrote "She sings like a cat". But I should not end on that note--Berlioz was a kind man as well as a genius--what a contrast to Wagner, whose overwhelming music caused the undeserved neglect from which Berlioz is still recovering over a century after his death. I hhope this book will send its readers back to the music as it has done for me.
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Berlioz: Servitude and Greatness 1832-1869 (Berlioz)
David Cairns
Manufacturer: University of California Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0713993863 |
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Berlioz.(Review) (book review): An article from: Notes
Ora Frishberg Saloman
Manufacturer: Music Library Association, Inc.
ProductGroup: Book
Binding: Digital
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ASIN: B0008HQQE4
Release Date: 2005-07-28 |
Book Description
This digital document is an article from Notes, published by Music Library Association, Inc. on March 1, 2001. The length of the article is 1440 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Berlioz.(Review) (book review)
Author: Ora Frishberg Saloman
Publication:
Notes (Refereed)
Date: March 1, 2001
Publisher: Music Library Association, Inc.
Volume: 57
Issue: 3
Page: 638
Article Type: Book Review
Distributed by Thomson Gale
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