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Let's Add Coins (Dollars & Cents)
Kelly Doudna
Manufacturer: SandCastle
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ASIN: 1577658965 |
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Sea usted un profesional
Manufacturer: Pacific Pr Pub Assn
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ASIN: 0816395810 |
Book Description
Fascinating true stories of some of the most interesting and influential personalities of the Civil War. Their heroic deeds and selfless acts ranged from caring for the wounded to fighting on the battlefields. Included are Harriet Tubman, Belle Boyd, Susan B. Anthony, Clara Barton, and many others.
Customer Reviews:
Horrible.......2003-04-18
This book gave too many unwanted details and needed to cover the women in general. I do like interesting facts every once in while, but these facts weren't even interesting. It was also poorly written. I would not recommend this book to anyone!
A Disappointing Read.......2002-11-25
I am a graduate student in American History with a focus on women and their roles in the Civil War. As such I was pleased to find Garrison's Amazing Women. However, once I started reading the book I was extremely disappointed. One of the first things I noticed was the lack of citations and a bibliography. Garrison neglects to credit anyone with the information he gathered for this particular work except to say that you can find alot of information on the internet. And while I understand Garrison's intended audience to be the general public where footnotes are found to be annoying, a bibliography would surely be helpful to anyone interested in learning more about these women. Furthermore, Garrison displays an attitude throughout the work that some of the acts and actions credited to women must surely be exaggerated. What I found to be particularly annoying with the work was the attention given to the men that were spouses to the women chosen for the work. If the book is about women, write about the women. To make matters worse, Garrison also includes among his Amazing Women a man that cross-dresses. This information is irrelevant to the subject. The only positive thing I can say about Amazing Women is that Garrison provides a nice list of women who played important and diverse roles during the war. So, if you are looking for research, this book is a huge disappointment. But if you are looking for a quick read where all the information is assumed to be correct, without providing any proof then this is your book. However, if you are truly interested in learning about women's roles in the Civil War I would suggest Mary Elizabeth Massey's Women in the Civil War (University of Nebraska Press, 1966) or Elizabeth D. Leonard's All the Daring of the Soldier (Penguin Books, 1999).
Very good historical piece!! Very enjoyable!!.......2001-09-18
This was really good. It's about various women that helped shape the Civil War, whether by being Spies, Soldiers, Journalists, Angels of Mercy, or whatever. You'll be surprised how far some of these women went for their cause, and how much they accomplished in that time frame that provided them with so little independent resources. This book is a good introduction into these women, that may trigger your interest to learn more about them. I wish it provided even more information on these people, but basically it seemed to be a book to introduce you to these women and tell of their actions, then go locate more information about them.
Enlightening.......2000-04-03
This book did an excellent job on describing the roles in which women took part in during the Civil War. Webb Garrison did an excellent job choosing women to write about. Both Southern and Northern women were talked about, showing readers that these women were not as different as they had thought they were.
Average customer rating:
- Literary Talent Too!
- Very Readable Irish Bio
- More bleakness than blarney
- "God is good and the devil is not that bad."
- Insightful Biography
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The Mountain of the Women: Memoir of an Irish Troubador
Manufacturer: Random House Audio
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Similar Items:
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Story of the Clancy Brothers
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The Clancy Brothers with Tommy Makem & Robbie O'Connell: The Men Behind the Sweaters
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We've Come a Long Way
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Reunion Concert
ASIN: 0553715054
Release Date: 2002-02-19 |
Book Description
In an irresistible tale of a life lived fully, if not always wisely, Liam Clancy, of the legendary Irish group the Clancy Brothers, describes his eventful journey from a small town in Ireland in the 1930s into the heart of the New York music scene in the 1950s and ’60s.
Following in the grand tradition of such Irish memoirs as Angela’s Ashes and Are You Somebody?, Liam Clancy relates his life’s story in a raucously funny and star-studded account of moving from provincial Ireland to the bars and clubs of New York City, to the cusp of fame as a member of Tommy Makem and the Clancy Brothers. Born in 1935, the eleventh out of as many children, young Liam was a naive and innocent lad of the Old Country. His memories of childhood include bounding over hills, streams, and the occasional mountain, getting lost, and eventually found, and making mischief in the way of a typical Irish boy.
As an aimless nineteen-year-old, Clancy met a strange and wonderfully energetic lover of music, Ms. Diane Guggenheim, an American heiress. She and a colleague from America had set out to record regional Irish folk music, and their undertaking led them to Carrick-on-Suir in the shadow of Slievenamon, "The Mountain of the Women," where Mammie Clancy had been known to carry a tune or two in her kitchen. Guggenheim fell for young Liam and swept him along on her travels through the British Isles, the American Appalachians, and finally Greenwich Village, the undisputed Mecca for aspiring artists of every ilk in the late 1950s.
Clancy was in New York to become an actor. But on the side, he played and sang with his brothers, Paddy and Tom, and fellow countryman Tommy Makem, in pubs like the legendary White Horse Tavern. In the heady atmosphere of the Village, Clancy’s life was a party filled with music, sex, and McSorley’s. His friendships with then-unknown artists such as Bob Dylan, Maya Angelou, Robert Redford, Lenny Bruce, Pete Seeger and Barbra Streisand form the backdrop of the charming adventures of a small-town boy making it big in the biggest of cities.
In music circles, the Clancy Brothers and Tommy Makem are known as the Beatles of Irish music. The band’s music continues to play on jukeboxes in pubs and bars, in living rooms of folk music fans, and in Irish American homes throughout the country. Liam Clancy’s lively memoir captures their wild adventures on the road to fame and fortune, and brings to life a man who never lets himself off the hook for his sins, and happily views his success as a blessing.
Download Description
In an irresistible tale of a life lived fully, if not always wisely, Liam Clancy, of the legendary Irish group the Clancy Brothers, describes his eventful journey from a small town in Ireland in the 1930s into the heart of the New York music scene in the 1950s and '60s.
Following in the grand tradition of such Irish memoirs as Angela's Ashes and Are You Somebody?, Liam Clancy relates his life's story in a raucously funny and star-studded account of moving from provincial Ireland to the bars and clubs of New York City, to the cusp of fame as a member of Tommy Makem and the Clancy Brothers.
Born in 1935, the eleventh out of as many children, young Liam was a naive and innocent lad of the Old Country. His memories of childhood include bounding over hills, streams, and the occasional mountain, getting lost, and eventually found, and making mischief in the way of a typical Irish boy.
As an aimless nineteen-year-old, Clancy met a strange and wonderfully energetic lover of music, Ms. Diane Guggenheim, an American heiress. She and a colleague from America had set out to record regional Irish folk music, and their undertaking led them to Carrick-on-Suir in the shadow of Slievenamon, "The Mountain of the Women," where Mammie Clancy had been known to carry a tune or two in her kitchen. Guggenheim fell for young Liam and swept him along on her travels through the British Isles, the American Appalachians, and finally Greenwich Village, the undisputed Mecca for aspiring artists of every ilk in the late 1950s.
Clancy was in New York to become an actor. But on the side, he played and sang with his brothers, Paddy and Tom, and fellow countryman Tommy Makem, in pubs like the legendary White Horse Tavern. In the heady atmosphere of the Village, Clancy's life was a party filled with music, sex, and McSorley's. His friendships with then-unknown artists such as Bob Dylan, Maya Angelou, Robert Redford, Lenny Bruce, Pete Seeger and Barbra Streisand form the backdrop of the charming adventures of a small-town boy making it big in the biggest of cities.
In music circles, the Clancy Brothers and Tommy Makem are known as the Beatles of Irish music. The band's music continues to play on jukeboxes in pubs and bars, in living rooms of folk music fans, and in Irish American homes throughout the country. Liam Clancy's lively memoir captures their wild adventures on the road to fame and fortune, and brings to life a man who never lets himself off the hook for his sins, and happily views his success as a blessing.
Customer Reviews:
Literary Talent Too!.......2007-05-07
Liam Clancy's has great literary talent. His bio is a tribute to his family and to his native land. Catholic schools greatly contributed to his native talent for the stage----I am not sure why he makes a critical remark of the Church.
Very Readable Irish Bio.......2006-11-16
The Clancy Brothers albums opened by ears to traditional celtic music in the 60s, so it was a treat for me to read Liam Clancy's account of how the group evolved. The family background and his personal development as an student, actor and musician were very enjoyable reading.
If you liked Angela's Ashes, this will certainly appeal.
More bleakness than blarney.......2006-06-20
I never heard Liam Clancy sing until a couple of months ago, when I found a copy of an album called "The Lark in the Morning" that looked interesting, given its cover and its date of the mid-50s. Growing up, The Clancy Brothers and Tommy Makem were heard of but not heard by me--I associated them with Aran knit sweaters, hearty shour-an'-begorra singalongs,novelty tunes, and the kind of kitsch that the previous generation had listened to complacently before the revival in the 70s of a tougher trad scene out of Ireland shook it all up again.
Well, I heard the tracks on "Lark" in the car without knowing who was who since I could not see the CD case listings. But when I finished it, I noticed that the songs that had stood out from the rest were all by Liam C. Impressed, I read the liner notes about one Diane Hamilton, who I had never heard of, and Tradition Records, the label for which "Lark" was the debut issue. But the whole story was not clear, given the brief notes, until I read "Women of the Mountain."
From the title, I expected a tale of lusty drunken couplings and riotuous escapades from the "Folksmen"/"Kingston Trio" era. Instead, an evocative tale of growing up eating mortar and chalk for nutrition during WWII, poverty, clerical abuse, and hardscrabble small-town life in Waterford's Carrick-on-Suir unfolded smoothly and eloquently. Sure, the blarney sometimes is laid on a bit too thick for less glib me, but the stage Irishman tendencies are kept mercifully in check by realism: the death of a sibling, the estrangement from mother and Church, the entanglement with Diane H. (who turns out to be a Guggenheim nearly as neurotic as her relative Peggy G. did for Beckett!), and the adventures on the road, in theatre, and on stage.
One surprise and a reason for four stars is the lopsided nature of the book: the singing takes decididly second fiddle to the stage in the dramatic sense. This was fascinating for me, but it misleads the reader perhaps who by the back photo of the group harmonizing might expect far more about Clancy's musical experience. He mentions, for example, as if offhandedly that he learned the tin whistle. Yes, but how? As a musician, did he find it easy after the guitar? How did it help his reportoire? Did he learn it so the group could expand its range? How does it sound to him? How does he play it? Here, music as enacted comes rather late in the book, in not a lot of detail, and seems rather superficially treated as opposed to other incidents and events.
I do commend Clancy on his delicacy with relating his own romantic and emotional engagements with women and men--he reminds us of the fragility we all possess and the need to recognize humanity in each other. And he makes his point after having earned the right to say so after his own checkered past. He comes off wise without sounding pious, intelligent without acting snobbish, and flawed without playing it up as maudlin. He handles people and places with stamina and wit, and his own coming-of-age here, while cut off while he's not even thirty yet, needs however fuller exposition than is given here. The New York Greenwich Village years deserve more depth than they're given here; the book's unbalanced in favoring much more from his pre-NYC years (nothing wrong with that) and again this may mislead misinformed readers as to its actual coverage of many more early situations predating the group's rise to fame. I also got little sense of how he got along with his fellow group members--granted that two are his brothers--but how the three Clancys got along with Makem who was from Keady in the north and from a different region, musical tradition, and political regime seemed like the sort of detail that could have enriched the book.
I guess a sequel is in the works. Like recent Irish memoirs by Frank McCourt and Hugo Hamilton, the autobiographical account stops suddently, at the height of a self-realization by the author in his formative years. I do not know if this book would have been published if McCourt had not led the way, but resilient Clancy's tale too deserves a wide readership for dispelling (as do McC and HH in their accounts--also see John McGahern's memoir) the myths of recent Irish life, while advocating a return to the more durable and more feminine myths that inspired Yeats, Behan, Synge, Joyce, and the Slieve-na-mBan/Sleivenamon that gives its rounded breasted mountain shape to the landscape that rose above Clancy's hometown.
"God is good and the devil is not that bad.".......2005-03-19
First of all,there are 17 other reviews;most of them excellent and all deserve to be read.I read a fair bit of modern Irish Writing.The McCourts,Roddy Doyle,Brendan Behan,Morgan Llywelyn,Brendan O'Carroll,just to name a few.What I really like about these writers is their magical use of language.Although I have been a fan of Tommy Makem and the Clancy Brothers for at least 30 years,I have never read anything about them.I had no idea of how much they were involved in acting;let alone that any of them had such gifted writing skills.What a surprise;Liam's skills are as good as his musical talents.
Though not a Clancy,I heard Tommy Makem perform here in Toronto at an intimate club a few months ago.He did "Oh, me name is Dick Darby,I'm a cobbler.";mentioned on page 102.That had to be the best recitation I ever witnessed.
I would like to quote something Liam wrote about his experience in North Carolina in 1956 and he was writing about it nearly 50 years after the fact.
From page 170....
"South Carolina in the spring was seductive with scents of growing things,of magnolias and hibiscus,the air heavy with noontime heat and the swampy buzz of katydids and flying critters.The nights there belonged to the frogs and bats and flying beetles and the countless mingled smells of a land at rest after a burgeoning day's work fermenting life." Imagine the thoughts of a 21 year old,written 50 years later.
I also had no idea of Clancy's involvment with the people like Oscar Brand,Bob Dylan,Woody Guthrie,Pete Seeger,Odetta,Barbara Streisand,Lenny Bruce,Jean Ritchie,Ramblin' Jack Elliot,Brendan Behan,Diane (Guggenheim),Josh White,Alan Lomax,Mary O'Hara and on and on.
Liam gives a great insight into the world of acting and folk music of the 50's and the 60's. Now that I have read the book,I am looking forward to listening to the tape.
I also have no idea if Liam has a second book planned to cover the last 40 years.I am sure it would be a great follow up.How about it Liam,you're only 70 ,and you must still have lots to tell us.
Thanks.
Insightful Biography.......2004-07-07
The Clancy Brothers albums opened by ears to traditional celtic music in the 60s, so it was a treat for me to read Liam Clancy's account of how the group evolved. The family background and his personal development as an student, actor and musician were very enjoyable reading.
If you liked Angela's Ashes, this will certainly appeal.
Book Description
Nonprofits and other organizations seeking grants and funding opportunities to support general operating expenses will find over 1,000 current operating grants--organized by state--each with contact and requirement information. Three user-friendly indexes (subject, sponsors, and geographic restrictions) help you to quickly find the right grants for your needs.
Customer Reviews:
A+.......2001-07-29
I don't read a lot of biographies because I often find the amount of detail to be excruciatingly excessive, and often the writer, even if he knows the person he is writing about personally, often tends to descend into sharp criticism of his subject, as if that were the norm in our age of gossip and entertainment. Perhaps the necessary detachment in this case comes from the fact that Brahms died just over a hundred years ago, for his was not a perfect character!
I have always liked Brahms' compositions quite a bit, especially his chamber music, which is among the best. Yet I have never bothered to read a biography of the composer. I only read this one because a relative of mine is handling the estate of one of the author's wives (not Irene, the collaborator), and while visiting this relative I was offered the book. Fortunately, from the outset I thoroughly enjoyed reading Prof. Geiringer's biography.
Geiringer acknowledges that there have been many other fine biographies of Brahms, and he decided to write one only because he was given access to about a thousand letters of correspondence Brahms received from well-know artists like the Schumann's, the violinist Joachim, and many others. Geiringer combines a vast knowledge of Brahms' life and music with these letters to produce a highly readable and entertaining work, w/o a hint of sensationalism.
In order to leave enough room for a discussion of Brahms' extensive output, the author limits his discussion of the composer's life to about 200 pages, yet it is quite thorough. Brahms' early life of extreme poverty is discussed w/o trying to evoke sympathy, followed by the burgeoniong composer's failure to get a post in his native Hamburg, a lifelong hurt for Brahms, but which very fortuitously causes him to move eventually to Vienna, where his music flowers in a very supportive environment. The young composer's career is given a huge push by a letter Robert Schumann writes in a widely read journal, and Brahms fulfills those expectations, though he surely destroys many compositions we would love to hear, because of his high standards. Also, Brahms, unlike other composers, receives the accolades he deserves while still alive and composing.
The view we get of Brahms is balanced - we see his good humor and we also read the famous quote of the composer, who, upon leaving a party, wonders if there is anyone there he has not insulted! Also, while Brahms reaches tremendous heights in his art, he never marries in order to achieve it, and we read about the women (mostly singers of his choral music) he loves but cannot attach himself to. No, Brahms is far from perfect, yet the composer is unfailingly helpful and generous to his family, friends, and also to other composers - Dvorak usually comes to mind in this respect.
Following the biographical discussion of Brahms' life, the author as musicologist again provides a thorough but not excessive discussion of the different kinds of works the composer put out, from the chamber music to the many varieties of choral works.
Towards the end of the book Geiringer writes an excellent chapter called "The Man And The Artist," a thorough summary that, as expected, is succinct yet not sensational in any way.
Brahms: His Life and Work (Third Edition).......2000-06-27
Wonderfully written book! I borrowed it from a friend and I love it so much I am going to buy it! This book is conveniently divided into three sections (Brahm's life, work, and letters). There are many references to his actual letters throughout the book. Brahm's certainly had an interesting life (definitely more interesting than what I had learned in music classes!) This book explains the relation between his music and life experiences very effectively. Quite a joy to read!
Average customer rating:
- Just Wonderful !!
- Wonderful translation, superb commentary
- Excellent, comprehensive, and revealing.
- From recent reviews of: Johannes Brahms - Life and Letters
- A Brahms biography based on his letters.
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Johannes Brahms: Life and Letters
Johannes Brahms
Manufacturer: Oxford University Press, USA
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Binding: Paperback
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Johannes Brahms: A Biography
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A Brahms Reader
ASIN: 0199247730 |
Book Description
This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his own words, and in his own voice. 'I am aware of my bad habit of writing briefly but obscurely', Brahms once wrote to a friend. He was needlessly hard on himself, for his letters describe many significant events in his life, throw light on his friendships and music, and reveal his wit, idealism, intelligence, generosity, sarcasm, and above all his powerful sense of integrity. The letters in this volume range from 1848 to just before his death. They include all Brahms's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover. The result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.
Customer Reviews:
Just Wonderful !!.......2003-01-31
I'v been a Brahms' music fan for a long time and i have read three different biographies, without having the opportunity of get closer to his thoughts before i buy this great book. Now I know how Brahms' mind worked, how (really) was his relationship with his friends and how were his feelings and thoughts during the periods he composed that wonderful music.
I'm not an english born speaker, so i had some difficulties in understand the meaning of some sentences, more exactly, some modisms, wich are very frecuent in Brahms' speech.
In spite of this, I recommend this book because it's just wonderful.
Wonderful translation, superb commentary.......1998-11-30
The virtues of this book are several: about 800 previously untranslated letters of Brahms, masterfully translated and carefully and judiciously annotated, based on research entirely from source materials which, among other things, give the lie to the unsavory myths of Brahms childhood, proving beyond doubt that he came from a hard-working, well-meaning family who lived in a good neighborhood, and provided him with a good education and normal childhood. The author's research confines to the rubbish heap the silly Freudian theories, never based on any evidence, for his reasons for not marrying. This compendium of letters and their absorbingly written annotation is a gold mine for amateurs and professionals interested in a truthful picture of Brahms.
Excellent, comprehensive, and revealing........1998-11-06
Unfortunately, Jan Swafford did not have a chance to read this book before writing his own "biograohy" of Brahms. If he had, he would have been privy to a wealth of information, much of which has not been available to non-german speakers. Avins' commentary on the letters of Brahms and many of his correspondents is clear and well researched.
From recent reviews of: Johannes Brahms - Life and Letters.......1998-04-20
"Richly informative" - Sunday Times, London. "Occasionally a book comes along which changes perceptions of its subject. This is such a book. ... [The] annotations are not only scholarly but often witty and always full of common sense. ... Wherever you read, you will feel you are in Brahms's world and that he is speaking to you." - Sunday Telegraph, London. "There are many gems here ... much to be gleaned from what Avins has selected.. Those who seek to be on more intimate terms with Brahms and his circle... will find much to pore over in this collection" - Los Angeles Times. "Little short of a bombshell ... Ms. Avins's contributions are terse and often illuminating... fascinating illustrations, a helpful chronological table and other tools... Brahms reveals himself in workaday as well as transcendent moods." - New York Times. "This is a work that will thrill Brahms fans and provide much pleasure to those entertained by the personal correspondence of great artists. Recommended for general and academic libraries." - Library Journal. "It is not much of an exaggeration to say that the book presents Brahms in a new but quite convincing light... the book can be read as a biography... this composer has seldom seemed more lovable, more vulnerable, more honorable." - Gramophone. "This is one of the most important music books published in recent years." - The Oldie, London.
A Brahms biography based on his letters........1997-12-06
"Johannes Brahms, Life and Letters" is a new biography published by Oxford Univ. Press and is based on the composer's letters. The letters were selected and annotated by Styra Avins and its 550 complete letters which constitute the first such general collection of letters in English, were translated by Josef Eisinger and Styra Avins. The book also contains 48 rare photos, detailed notes and appendices (e.g. on Brahms and Clara Schumann), and a bibliography. The lively text joining the letters is based on the latest Brahms scholarship and provides a fresh view of the composer's life, much of it in his own words. It sheds new light on the early life of Brahms, his numerous friendships, his family, his work, his character and his personality. A well-written book which will heighten anyone's appreciation of the man and of his music. Highly recommended to lovers of biography and music.
Book Description
Johannes Brahms was born in Hamburg, Germany to a family that lived in extreme poverty. Yet by the time of his death he had become one of the most financially successful classical music composers who ever lived.
It wasn't easy. His family had to move several times while Hannes (as he was nicknamed) was still a boy. He had to go to work when he was just 13, playing the piano in rough waterfront taverns in Hamburg. Often he wouldn't come home until dawn.
Brahms received his first big break when he was 20. The composer Robert Schumann called him a "genius" and a "young eagle." Even then, it still took him many years to become famous.
While he is most noted for his symphonies and concertos, it is likely that more people know him for his "Cradle Song," better known as "Brahms's Lullaby," which millions of mothers have sung to their young children to lull them to sleep.
Customer Reviews:
The Unknown Brahms.......2000-04-12
If you've ever wanted to know more about the great master, check out this book which was recommended even by the great Menuhin. From start to finish, Schauffler crams the book with tidbits about Brahms ranging from the hilarious to deeply moving.
The Brahms not found in most biographies !.......1998-07-14
Read the book in the college library 45 years ago. In the book, Shauffler details a Johannes Brahms not found in most biographies. There are incidents in his early life dealing with his attitude toward women ( and, of course, much later in his relationship with Robert and more especially, Clara Schumann.) There is also a number of stories related to his tour with the violinist Joachim. Details of his meeting with Johann Strauss Jr., his reactions to his own symphonies, his attitude toward his students, reasons why he never married, his early career as a pianist in "sporting houses", his relationship with prostitutes, why he could never marry. There are many technical details about his music that are perfectly understandable to musicians as well as most laymen. A book for the ages if you are interested in the life of Brahms.
Average customer rating:
|
Brahms (Life&Times series)
Hans A. Nuenzig
Manufacturer: Haus Publishers Ltd.
ProductGroup: Book
Binding: Paperback
Brahms, Johannes
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ASIN: 1904341179 |
Book Description
Johannes Brahms (1833-1897) was one of the seminal musical figures of the 19th century. He shot to fame as a dashing young performer and composer, "the one who had to come" according to Robert Schumann. He consciously "switched" this image, refashioning himself as elder statesman of German music, the heir to Bach and Beethoven. The internal competition between romantic lion and eminence grise enlivened his music, which has influenced nearly every composer that followed him. Adopted by the anti-Wagnerian faction as the leader of traditional principles against ‘modern’ iconoclasm, his fame as a composer spread rapidly. At the start of the 21st century, his influence remains as acute as ever.
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Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (Ams Studies in Music)
Margaret Notley
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
Brahms, Johannes
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ASIN: 0195305477 |
Book Description
Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's conspicuous and puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical terms has made his music seem far less interesting than it truly is. In pursuit of an historical Brahms, Notley focuses on the later chamber music, drawing on various documents and perspectives, but with particular emphasis on the relevance of Western Marxist critical traditions.
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Life of Johannes Brahms
Manufacturer: TFH Publications
ProductGroup: Book
Binding: Hardcover
ASIN: 0876665873 |
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